Charles Mcpherson

The Lost Album From Ronnie Scott's is an unreleased live recording of jazz icon Charles Mingus from Ronnie Scott's jazz club in London captured in August 1972. It features alto saxophonist Charles McPherson, tenor saxophonist Bobby Jones, trumpeter Jon Faddis, pianist John Foster, and drummer Roy Brooks.

The music Charles Mingus and his group recorded during his landmark 1960 sessions for Candid Records produced three of the most revered jazz albums of the era - INCARNATIONS is a new masterpiece thoughtfully assembled from rare and unreleased material from those sessions that stands proudly in the Mingus canon of masterworks.

Charles Mingus - The Complete Birdland Broadcasts 1961-1962 (2015) {Air Cuts Remastered, Digital Download, Concert In Superb Fidelity}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (deezer.com) -> 1.09 Gb | MP3 @320 -> 452 Mb | Cover | 5% repair rar
© 1961-62, 2015 Air Cuts
Jazz / Hard Bop / Third Stream

This amazing set compiles all existing Birdland broadcasts by the Charles Mingus Jazz Workshop of 1961-62. These long unavailable broadcasts feature such important musicians as Booker Ervin, Yusef Lateef, Jimmy Knepper, Pepper Adams, Rahsaan Roland Kirk, Charles McPherson, Jaki Byard, Toshiko Akiyoshi andDannie Richmond. Among the many highlights is the drumless broadcast of May 12, 1962, which presents two bassists on Mingus’ only existing live version of “Ysabel’s Table Dance”, from Tijuana Moods. Mingus is the piano soloist on two broadcasts. This music has only been previously available on separate long out of print releases with inferior sound quality.

Charles Mingus - Music Written for Monterey, 1965, Not heard…played in its entirety at UCLA, September 25, 1965 (2006)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 462 Mb | MP3 @320 -> 212 Mb | Artwork | 5% repair rar
© 1965, 2006 Sue Mingus Music / Sunnyside Communications | 984 275-9
Jazz / Post Bop / Progressive Jazz

The back story behind this concert CD is that, in September 1965, Charles Mingus performed at the Monterey Jazz Festival. He had done so triumphantly well the year before, however, Mingus' 1965 set was inexplicably cut short at a half-hour (Mingus himself claims 20 minutes) and so the material he had planned for the event, much of it newly composed, was instead unreeled at UCLA a week later. Mingus later pressed a couple hundred copies of the performance into a self-released two-LP set, but the master tape was hence destroyed and the album basically forgotten until its release on CD by Mingus' widow Sue in 2006.

Charles Mingus - Statement (1969) {2014 Japan Studio Songs Remaster YZSO Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 125 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 140 Mb | 5% repair rar
© 1969, 2014 Studio Songs Japan | YZSO-10046 | Mono
Jazz / Post Bop / Bass

Bassist Charles Mingus was largely inactive in music during 1966-69. This CD finds Mingus leading a new sextet comprised of veteran alumni (altoist Charles McPherson, pianist Jaki Byard and drummer Dannie Richmond) and two newcomers (trumpeter Eddie Preston and Bobby Jones on tenor). The music, two new songs ("The Man Who Never Sleeps" and "O.P.") and a remake of "Orange Was the Color of Her Dress," is enjoyable although not particularly innovative; it does have some exciting moments.

Thankfully, the brains behind this double-disc reissue of two almost forgotten 1970 sessions determined that the first CD should be simply the six tracks originally released on the America label. The false starts and incomplete and alternate takes are left for the second disc. This way, the album closes properly – in a fit of passion, with Mingus's sextet spinning intense yarns out of "Pithecanthropus Erectus," a tune un-recorded in the studio since 1956. Here, Jaki Byard gets a midnight solo, wobbling on the rails between his well-known clustering talent and his deeply lyrical bent. Bobby Jones on tenor, Charles McPherson on alto, and Eddie Preston on trumpet offer a variety of predispositions, mostly post-bop but certainly aware of the tonal advances Eric Dolphy made with Mingus. "I Left My Heart in San Francisco" is lovely, slightly tense – which helps with the drama, and "Peggy's Blue Skylight" is dynamic and lazily vigorous. As for the second disc, it's instructional in how Mingus the bandleader thought and led: beyond that, it's for the initiates only. Keep in mind that these tunes comprise the first studio album Mingus made after Mingus, Mingus, Mingus, Mingus, Mingus and show the bassist returning to the forge, readying himself for the great stuff yet to come with George Adams and Don Pullen. –Andrew Bartlett