Chicago Chicago IX

An exclusive artist for the Philips label since 1969, Brendel’s discography is now among the most extensive of any pianist, reflecting a repertoire of solo, chamber and orchestral works by the major composers from the central European tradition from Bach through to Schoenberg.
This 114 CD Edition encompasses his complete discography for Philips and Decca and includes studio albums, live recordings and radio broadcasts. The set is accompanied by a 200-page book featuring a note by Brendel’s personal choice of writer, Misha Donat.

The renowned artists, violinist Jascha Heifetz and cellist Gregor Piatigorsky, joined forces in 1949 at Chicago's Ravinia Festival. Twelve years later, and now good friends, both artists were in semi-retirement from the concert stage, yet enjoyed their evenings of chamber music with friends. Here they conceived The Heifetz-Piatigorsky Concerts as a way to share their love of chamber music with the public. They aimed to present repertoire not often heard in concert and then record them. The Heifetz-Piatigorsky Concerts continued for several years, with a series of performances in Los Angeles, San Francisco and New York that included a range of distinguished guest artists. The last of these concerts was in 1974 when Heifetz ended his performing career.

THE ANALOGUE YEARS presents a 50-Album overview across 54 CDs, in original jackets, of the celebrated international recordings that emerged from the London-based record label in that pre-digital era.

This survey of Strauss cello works includes one of the finest Don Quixotes since Pierre Fournier’s matchlessly aristocratic Berlin and Cleveland accounts. Steven Isserlis first met Cervantes’ “Knight of Rueful Countenance” a decade ago when he recorded the work for Virgin with the Minnesota Orchestra under Edo de Waart. You could take absolute technical command for granted, but what was doubly impressive was the way Isserlis brought out the Don’s internalized conflicts (an old man’s obsession with chivalry nullified by failing physical powers) so vividly. His insights emerge even more potently in this remake with Lorin Maazel and the Bavarian RSO. It’s impeccably delivered, with outstanding solo playing from Isserlis and his equally fine (but un-credited) Sancho Panza (viola) and also from the orchestra’s concertmaster.

Born out in Chicago, IL.A quartet of individuals wished to create the sounds of their favorite bands through their own project. Ourobiguous is the sum of parts that come from mathcore (Converge, Botch, Dillinger Escape Plan), black metal (Nagelfar, Oaks of Bethel, Shining, Emperor), doom (Katatonia, Asunder, Isis), grindcore/death metal (Napalm Death, Cephalic Carnage, Suffocation), and experimental (Faith No More, Meshuggah, Jesu). The desire to always expand upon their sound and experimental with different themes and concepts while always retaining a very unique and raw sound is something that keeps the band going.

Just in time for his 80th birthday, Daniel Barenboim was honoured with the Gramophone Award 2022 for his life's work. The career of the famous Argentinian-Israeli pianist and conductor began early, Wilhelm Furtwängler already said about him: "The eleven-year-old Daniel Barenboim is a phenomenon". Later, as chief conductor, Barenboim led world-class orchestras such as the Orchestre de Paris, the Chicago Symphony Orchestra and, since 1992, the Staatskapelle Berlin. With the founding of the West-Eastern Divan Orchestra, the UN peace ambassador united musicians from Israel, Palestine and the Arab states. As a soloist, the pianist has worked with renowned conductors; with Sir John Barbirolli, for example, he recorded Brahms’ piano concertos. Barenboim's discography is impressive; with his first wife, the cellist Jacqueline Du Pré, he formed a musical dream team. Other legendary recordings of works by Mozart, Beethoven, Bruckner and Wagner were made with the Staatskapelle Berlin and the Berlin Philharmonic, among others.

Lilting melodies and exhilarating dance rhythms; gentle pathos, brooding drama and robust high spirits; the spirit of rural Bohemia and the sophistication of Prague, Vienna, New York and London in the late 19th century: Antonin Dvořák’s music is unfailingly distinctive and captivating. In all his works – from the epic ‘New World’ Symphony and Cello Concerto to the irresistible Slavonic Dances, haunting ‘American’ String Quartet, quirky violin Humoresque and yearning Song to the Moon – he is a composer whose heart is open and generous, and whose love for his homeland always shines through. This box provides an illuminating and enriching survey of his works, including his complete symphonies. A number of the celebrated performers have Slavonic roots themselves; all their interpretations draw on a deep affinity with Dvořák’s inspiration and humanity.