This LP features pianist Chick Corea, bassist Dave Holland and drummer Barry Altschul during the brief period that, along with Anthony Braxton, they were members of the fine avant-garde quartet Circle. The music heard on this set is not quite as free as Circle's but often very explorative. Four of the six songs are Corea originals which, in addition to Holland's "Vedana" and Wayne Shorter's "Nefertiti," form a very viable set of adventurous jazz, recorded just a few months before Corea changed direction.
Chick Corea's Elektric Band II found bassist John Patitucci, drummer Dave Weckl and guitarist Frank Gambale going out on their own and being replaced by Jimmy Earl, Gary Novak and Mike Miller. Saxophonist Eric Marienthal was the only sideman from the first Elektric Band to stick with Corea. Although the new members are not as distinctive as their predecessors, the high-quality material played on this release (which includes Jimmy Heath's "CTA," "Blue Miles" and a variety of Corea originals) is very jazz-oriented and occasionally there are straightahead sections. This set is recommended even to listeners who have not yet acquired a taste for fusion.
This may not be the ultimate Chick Corea collection, but fans aren't likely to find a better one on video anytime soon. A near-complete portrait of the legendary pianist's non-fusion career is captured on the 10-DVD Rendezvous In New York boxed set, featuring performances from his three-week run of reunion concerts at the New York's Blue Note in 2003 to celebrate his 60th birthday. Those craving more after hearing the Grammy-nominated double-CD released that year under the same name will find the extended material equally satisfying. It also stands commendably on its own as a showcase for some of the most talented musicians from the past 25 years including Bobby McFerrin, Roy Haynes, Gary Burton, Joshua Redman, Christian McBride, Michael Brecker, Steve Gadd and John Patitucci.
The latest addition to Chick Corea’s remarkable discography, Plays is a captivating, intimate double album. Showcasing his charming rapport with enthusiastic audiences in these spirited renditions, he’s in good company throughout, engaging with a list of icons represents a wide swath of musical history, from the classical repertoire of Mozart and Chopin to jazz influences like Bill Evans and modern pop sensibility of Stevie Wonder. Several pieces are reprisals or spontaneously improvised.
This post-Return to Forever Chick Corea LP is a bit of a mixed bag. Corea is heard on his many keyboards during an atmospheric "The Woods," interacts with a string section on "Tweedle Dee," features a larger band plus singer Gayle Moran on a few other songs and even welcomes fellow keyboardist Herbie Hancock for the "Mad Hatter Rhapsody." The most interesting selection, a quartet rendition of "Humpty Dumpty" with tenorman Joe Farrell set the stage for his next project, Friends. Overall, this is an interesting and generally enjoyable release.