Chopin Piano Concertos

Mikhail Pletnev was born in Archangelsk, which is located in the north of Russia on the coast of the White Sea. By the time Pletnev began piano studies at age seven, with pianist Julia Shaskina, his family had moved to the central Russian City of Kazan in Tatarstan. Pletnev demonstrated promise and was enrolled at age 13 in Evgeny Timakin's piano preparatory class at the Moscow Central Music School. At 14, Pletnev earned the Grand Prix awarded by the International Jeunesses Musicales in Paris, and at 15 he transferred into master classes headed by Yakov Flier at the Moscow Conservatory. /quote]

This release on the Onyx Classics label has no right to be as good as it is. Pianist Maria-João Pires, 70 years old when the album appeared in 2014, has never been known as a Beethoven specialist. The Swedish Radio Symphony Orchestra under Daniel Harding is a competent group, surely, but hardly on Europe's or even Scandinavia's A-list. The Beethoven Piano Concerto No. 3 in C minor, Op. 37, and Piano Concerto No. 4 in G major, Op. 58, hardly lack for varied and incisive interpretations. Yet there it is: this one delivers ideas that nobody else has offered before. In a nutshell, Pires makes the piano the quiet partner to a rather martial orchestra in these works.

Hamish Milne makes a welcome return to the Romantic Piano Concerto series with two recherché delights from the nineteenth century.
Józef, ‘the other Wieniawski’ is the brother of the more famous violinist, Henryk. He studied at the Paris Conservatoire and had a wide-ranging and successful performing and composing career. His highly attractive Piano Concerto in G minor is in the mould of those by Chopin and Liszt, with the piano very much in the foreground. The Rondo finale demands a spectacular display of technique, living proof of Wieniawski’s own brand of virtuosity.

Portuguese virtuoso Artur Pizarro makes a welcome return to the Romantic Piano Concerto series with the outpourings of two brilliant pianist-composers. Their names may not be familiar to listeners today. The Brazilian Henrique Oswald and the Portuguese Alfredo Napoleão were born in the same year, less than three months apart, when Schumann, Brahms and Liszt were alive and Chopin recently deceased. Both were of mixed European heritage: Oswald with a Swiss-German father and Italian mother, Napoleão with an Italian father and Portuguese mother. Both were child prodigies who became widely travelled concert pianists, pedagogues and composers. In 1868 Oswald gave his ‘farewell recital’ and left Rio de Janeiro to study in Europe; Napoleão went to Brazil.

A little gem. I was looking for Lessel's concerto for about 2 years. Finally I got it this year. I heard it first on the radio (thanks Margaret Throsby, ABC Classic FM) and loved it. Franciszek Lessel, pupil of Haydn, is just magnificent. On this CD you get to hear his Piano Concerto in C major Op.14. Wonderful Adagio and lively Rondo Allegretto, very much in the Classical style. Also, Dobrzynski (friend of Chopin, they studied together) delivers a most beautiful Concerto. Piano Concerto- early Romantic Style, beautiful slow movement Andante espressivo. I lament the fact that these concerti are so obscure and forgotten. What a shame! Give yourself a break and try something new, you may be pleasantly surprised!

Basia @ Amazon.com

For many years, John Field, the Irish composer of wonderful piano music, was unjustifiably neglected by musicians and critics alike. If considered at all, Field, who came between Beethoven and Chopin, was considered at best a transition figure, or at worst a musical curiosity. Nothing could be further from the truth. Field's music is nothing short of a revelation. It is lyrical yet complex, the work of a master musician who could stand with the best of the writers for the piano. Fortunately Field's music is now beginning to be heard more often on classical radio and is more available on recordings. And this one, especially of his Second Piano Concerto, is excellent. .

Jean Doyen was a French classical pianist, pedagogue and composer. Doyen is best known for his interpretations of 19th and 20th century French music, notably in the works of Gabriel Pierné, Reynaldo Hahn and Vincent d'Indy and is considered one of the great interpreters of this repertoire and above all, of Maurice Ravel and Gabriel Fauré. He also enjoyed playing Vincent d'Indy's Fantaisie sur un vieil air de ronde française and Samazeuilh's Trois Danses. However, he recorded Chopin's waltzes, and premiered the Variations sur un thème de Don Juan.