For Love in the Modern Age, Josh Rouse focuses on the slick, polished sounds of 1980s adult oriented pop/rock. Specific touchstone albums he references as inspiration are the debut albums from The Blue Nile and The Style Council, and Roxy Music s, Avalon. The album is loaded with synth sounds of the era, flourishes of saxophone and female vocal harmonies that reflect the polished, suit and tie, modern pop sounds of the 80s. Standout tracks on the album include the title track, "Women and the Wind," "I'm Your Man," and "Businessman." While the sounds on the Josh Rouse produced album hark back to the early 1980s, the songs are pure Rouse - soothing hooks and deceptively intricate arrangements that feel familiar and effortless.
Charlie Rouse's debut as a leader (not counting his earlier work co-leading Les Jazz Modes with the great French horn player Julius Watkins) was made for Jazzland and is available as an OJC CD. The distinctive tenor saxophonist, who had just started a decade-long stint as a member of the Thelonious Monk Quartet, teams up with trumpeter Blue Mitchell, pianist Walter Bishop, Jr., bassist Earl May, and drummer Art Taylor. Together they perform straight-ahead material including Rouse's own uptempo "Upptankt," the standard "They Didn't Believe Me," and songs by Mitchell, Kenny Drew, and Randy Weston. A fine modern mainstream jam session-flavored set.
This is a somewhat unusual album, featuring tenor saxophonist Charlie Rouse (best known for his 1959-70 period with Thelonious Monk) performing mostly obscure Brazilian songs with rhythm sections that are sometimes closer to funky fusion and R&B than to bop. Rouse plays well; among his sidemen are up-and-coming trumpeter Claudio Roditi and trombonist Clifford Adams. Not essential by any means, this offbeat item does have its enjoyable moments.
Swingers Castle is the new album from Mikel Rouse, coming on September 6. It’s an outsiders homage to the City of Angels. Original piano tracks were recorded in a 1926 era Hollywood Hills mansion and tracks were completed and mixed in NYC.. The ghosts of LA make an appearance and William Holden is floating in the pool. Memories of early 90s West Coast hip hop weave through the drive time with a grateful nod to everyone from Arthur Russel to Father John Misty, from Tyler and Frank and Earl to Slick Rick. To the glory and good fortune of everyone who shares the world. This album includes a Digital Booklet.
…As a soloist Ax has demonstrated a particular affinity for the Romantics; nonetheless, his repertoire is among the most diverse of any pianist on the scene today and ranges from the music of Haydn, Mozart, and Beethoven to important twentieth century figures like Tippett, Henze, and Hindemith. He is also a particular champion of contemporary music, and has played and commissioned works from such composers as Joseph Schwantner, John Adams, and Christopher Rouse. He is considered by players and audiences alike to be a chamber musician par excellence; his frequent partners in this endeavor include Isaac Stern, Jaime Laredo, and Richard Stolzman…
Jakub Ciupinski is Polish composer living in New York City. Although his music is often associated with electronics and interactive performances, he has written numerous pieces for traditional acoustic forces, varying in scope from solo miniatures to an hour long Oratorio for symphony orchestra and double choir. At the age of 18, he signed a contract with Sony Music Poland and since then has been recording electronica-infused world music under the stage name Jakub Żak. His concert music has been commissioned by various institutions and ensembles including Metropolis Ensemble, The New Juilliard Ensemble, The New York City Ballet's Choreographic Institute, as well as the world-famous violinists Anne Akiko-Meyers and Philippe Quint…
"Described by the Boston Globe's Michael Manning as a musician who plays "beyond virtuosity," guitarist Sharon Isbin has been a consistent challenge for critics, who struggle to find the right superlative that would do justice to her exquisite playing. "In her hands," wrote Anne Midgette in The New York Times, "the guitar takes on the precision of a diamond, each note a clear, shining facet that catches, prism-like, a glimpse of the spectrum." In essence, a performance by Isbin is like a painting by Vermeer: a formally impeccable and inexhaustible work of art."
From a string of early career successes in the 1970s, Emanuel Ax has emerged as one of the most versatile, brilliant, and universally respected pianists on the international concert scene.