Natacha

Et s’il y avait un secret pour trouver l’équilibre harmonieux dans un couple ? Et si Natacha Jarousse l’avait apprivoisé. En partageant son expérience, sa connaissance, ses études et son énergie bienveillante, Natacha nous éclaire sur le chemin du vivre à deux. Une femme de cœur qui donne des clefs pratiques pour nous permettre d’évoluer ensemble et de façon indépendante. Cet ouvrage nous ouvre le champ du possible pour s’aimer dans le respect, l’admiration, le partage et la solidarité. …

Born in the French Burgundy region, Natacha inherited her father’s passion for the piano and began to play piano at the age of two. After studying at the Dijon Conservatoire in Laure Rivierre’s class, she obtained both a degree in performance and her state diploma as a piano teacher at the Burgundy Pôle d’enseignement supérieur. She con- tinued her piano studies at the Ecole Normale de Musique in Paris.

Whirlwind is elated to announce the signing of internationally-acclaimed artist Natacha Atlas and her October 4th release Strange Days. Heralded as one of the world’s most distinctive voices, she’s carved a path synthesising western and middle eastern vocal traditions with mind-blowing dexterity. Natacha’s latest work sees her push vocal and musical boundaries even further by effortlessly weaving jazz traditions into her already unique blend.

Natacha Atlas - Myriad Road (2015) {Mi'ster Productions-Decca 475 8752}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 300 dpi (png) -> 92 Mb | 5% repair rar
© 2015 Mi'ster Productions / Decca / Universal | 475 8752
Jazz / Vocal Jazz / International / World / Ethnic Jazz

Natacha Atlas’s new offering, Myriad Road, sees her combining creative forces once again. This time, she has worked with one of France’s most eminent jazz musicians, Ibrahim Maalouf – the highly-garlanded Lebanese-born French jazz and classical trumpeter, producer, and composer – to produce her first jazz album. “The first time I saw Natacha was in Istanbul,” says Maalouf. “We were at the same concert given by Smadj, who plays the oud, and he invited us up onstage to join him. Far from being an oriental cliché or pseudo-orientalist, the Natacha I met was a woman who was undeniably in touch with the world around us. Multicultural. Open to English-, French-, and Arabic-speaking cultures. But most of all, I recognized in Natacha a voice that’s unique. Hers is, perhaps, the only Arab voice in the West today which can truly claim to be authentic; at once contemporary and modern.”

2008 release recorded with the Mazeeka Ensemble, Ana Hina is new direction for Middle Eastern music icon and singing sensation Natacha Atlas. The album finds Natacha exploring a more traditional roots world, again infusing Oriental and Western music but looking to the past to uncover a rich history of musical collaboration.

For the first time in his rich career, Natacha Atlas signs a jazz album at the heart of which its eastern chants flourish without restraint. Since the early 90s when officiating in the London clubs in the world electro legendary Transglobal Underground which she was the voice, the Belgian singer of Anglo-Egyptian origin has always heckle Oriental clichйs. After ten years of more or less anecdotal activities, she crosses paths with a certain Ibrahim Maalouf. As musician from the fact vacillate also those clichйs, their cooperation could only be staggering. "This return, says Maalouf moreover, may disorient those who still see in which Natasha whispers Mon amie la rose, swaying be in one of these colorful dresses with sequins…