This is a comprehensive collection with countless pivotal sessions. It features 203 separate recordings on seven CDs and collects both the sessions led by Chu Berry and other sessions where he contributed significantly as a sideman. You can study his remarkable surefootedness as a soloist; remember an era where evolution in the music was running rampant and Chu Berry's tenor saxophone was one of the things making it run.
For many, Eddie Condon's name is synonymous with swing-infused Chicago-style Dixieland, which he embodied in almost every way. Although not considered a great technician, Condon was a great section man, a guitarist who provided a solid rhythmic root. More than that, he was an organizer who sponsored and influenced innumerable musicians. These eight CDs feature groups led by players associated with Eddie Condon. Although Condon only performs on a handful of the tracks, his spirit is pervasive, and the collection is unified not only by style but also by something more ethereal as well. As is common with the Mosaic box sets, there is a commitment to quality recording that often begins with long-forgotten original masters…
The set is built around the A and B sides of singles, with album cuts salted in between. This is effective in charting the band's progression from melodic popsters to hard rockers and back to the pop-inflected music that closed out their career. The highlights are scattered throughout – "American Woman," of course; "Rain Dance," with its unnerving echoes of American massacres, the funky, improvised live "Truckin' Off Across the Sky," even the goofy "Clap for the Wolfman," which came when the Guess Who were all but finished. The Ultimate Collection works well as an introduction to the Guess Who, but will not gratify anyone with more than a basic need to know. On a sonic level, the set sounds good, however.
This double set replaces both previously released RCA multi-disc overviews of Guess Who hits. As of its appearance in late 2003, both the flawed triple-CD 56-track The Ultimate Collection and 1988's excellent Track Record compilations were out of print. This release tries, and generally succeeds, as a comprehensive overview of the band's glory years. In fact, it's the only one to kick off with two pre-Burton Cummings nuggets: 1964's "Shakin' All Over" and a rare 1966 garage rocking psychedelic single, "It's My Pride." Collectors will also appreciate an early 1968 version of "When Friends Fall Out," a song re-recorded three years later for the American Woman album. From there on, this is a sturdy if unremarkable collection of fairly obvious selections, some of them, such as "Heartbroken Bopper," "Glamour Boy," and "Hang On to Your Life," reproduced in difficult to find single mixes.