Classic

The Doors - The Doors (Classic Albums) (2008)
DVD5 | 4.08 GB | Video codec: MPEG2 | Audio Codec: AC3 | Video: MPEG2 Video 720x480 (16:9) 29.97fps 9800Kbps | Audio: Dolby AC3 48000Hz stereo 192Kbps

Via interviews with surviving members of The Doors, archival clips and insider insights, this video retrospective looks at the creation of the group's self-titled debut album, a masterwork featuring megahits such as "Light My Fire" and "The End." Adding incisive commentary are record executives Billy James and Jac Holzman, musician Henry Rollins and recording engineer Bruce Botnick, who details how the band's mesmerizing sound was captured.

The 14-song set features the world-renowned singer-songwriter’s new performances of many of his best-loved hits, accompanied by the London Symphony Orchestra.

NAZARETH Live From The Classic T Stage featuring the long-lasting Scottish rockers performing their greatest hits, including versions of 'My White Bicycle' and 'Cocaine', in addition to the set there is an 'On The Road With Nazareth' feature, interviews with the band and Nazareth Germany 2005: A short film by Dagmar Heinrich-Hoppen.

Metal Meets Classic Live + All G.U.N. Bonustracks is a live concert recording by German heavy metal band Rage, released as a DVD in November 2001 under name "Rage & Lingua Mortis Orchestra". This DVD was released in 2001 by G.U.N. Records without asking the band for permission. It contains a concert from May 7, 1998 in E-Werk, Cologne, Germany…

This documentary in the Classic Albums series takes an in-depth look at the album, with commentary from Bruce Botnick, who worked on the album, and the three remaining Doors–guitarist Robbie Krieger, keyboard player Ray Manzarek, and drummer John Densmore…

The London Symphony Orchestra (LSO), founded in 1904, is the oldest of London's symphony orchestras. It was set up by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset, the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades.