Classic

It's kinda hard to be into Progressive Rock and not be aware of Premiata Forneria Marconi. This classic Italian band was formed more than 40 years ago and it is still running the long run!…

This budget-priced, four-disc set from the Real Gone Music label arrives stocked with eight complete, remastered albums (two on each disc) from the legendary guitarist and producer, including Chet Atkins' Gallopin' Guitar (1952), Stringin' Along With Chet Atkins (1953), Session With Chet Atkins (1954), In Three Dimensions (1955), The Finger Style Guitar (1956), Hi Fi In Focus (1957), At Home (1957), and In Hollywood (1957).

Think of Canadian rock bands and Rush probably spring to mind, as would Steppenwolf and Triumph. All fantastic bands. That's not to take anything away from April Wine, who in terms of output (if not success), must rank alongside the aforementioned. Classic hard rock that is really worth checking out….

Elton John's Classic Album Selection (1970-73) box set is comprised of five of the music legend's most influential and critical acclaimed albums: Elton John, Tumbleweed Connection, Madman Across The Water, Honky Chateau, and Don’t Shoot Me I’m Only The Piano Player. These albums (now including selected bonus tracks) provided the backbone of Elton’s early career and were the source of a series of breakthrough hits which would propel him to become one of the most successful British artists of all time.

Sonny Rollins - Our Man In Jazz (1962) {Classic Compact Discs 24 Karat Gold CD LSPCD-2612}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 302 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 1962, 1995 RCA / BMG / Classic Compact Discs | 24 Karat Gold CD / Special Edition | LSPCD-2612
Jazz / Post Bop / Hard Bop / Free Improvisation / Saxophone

Our Man in Jazz is an album by jazz saxophonist Sonny Rollins, recorded for the RCA Victor label, featuring July 1962 performances by Rollins with Don Cherry, Bob Cranshaw, and Billy Higgins. These performances have been described as contrasting from Rollins' previous style by moving to "very long free-form fancies, swaggering and impetuous".