Classical Music

A very different set than Teldec's Bach 2000. The Hanssler Bachakademie, supervised by Helmut Rilling, is not HIP (historic instruments performance). The orchestras are warm and lush (but not huge). The soloists are, in general, extraordinary. The tempos are sane. Hanssler has included fragments of some incomplete BWV's that are not included in the Teldec set; a minor plus but appealing. I found I preferred these traditional instruments and the daring using of forte-piano in place of harpsichord on a few of the recordings (flute sonatas). Highlights for me are The Well-Tempered Clavier Books 1 and 2, Musical Offering, Flute Sonatas, The Motets. I also found I prefer these Cantatas recordings to any other, including the new Koopman, Suzuki and the well-known Leonhart-Harnoncourt. While not the newest recordings, the sound is warmer which I prefer to the new state-of-the-art HIP recordings. Although most of the Cantatas are older recordings, much of the Hanssler Bachakademie edition is newly recorded for this project and the sound is consistent and excellent.

Jan Hanford, J.S. Bach Home Page

Karajan - The Complete EMI Recordings 1946-1984, Vol. 2: Opera & Vocal (72 CD)
72 CDs | APE, CUE, Log | Booklet | Complete Size: 15.8 GB | Rapidshare

For the first time ever EMI Classics are making available, in two handsome sets, the complete recordings that Karajan made for EMI between the years 1946 to 1984. The first set of 88 CDs comprises all the orchestral and concerto recordings and the second set, of 72 CDs, the Choral and Opera recordings. Both sets can be acquired at bargain prices, presenting a rare opportunity to add these historically important recordings to your collection. The last discs in each set (88 & 72 respectively) contain all the libretti, sung texts, a selection of photographs and a series of interviews with musicians who knew and worked with Karajan.

Listeners might quibble over whether the 100 pieces collected here constitute precisely THE most relaxing classical music in the whole universe, but it can't be denied that this music is in fact mellow and relaxing, except for perhaps the Prelude to Wagner's Tristan und Isolde, which might get the blood pumping at its climax. The pieces are all instrumental and the tracks are weighted toward orchestral music of the Baroque, Romantic, and post-Romantic periods, although the Classical and Modern periods aren't entirely neglected, and there is some chamber music and keyboard music.