A really amazing set of work from tenorist Clifford Jordan – a player who first rose to fame in the hardbop scene of the late 50s, but who moved into tremendous new territory with these Strata East recordings of the late 60s and early 70s! Jordan was a Chicago contemporary of players like Johnny Griffin and Von Freeman, but he was never content to rest on his laurels – and stretched out on these records with a spiritual vibe that he'd never expressed before – and which would go onto inspire countless other musicians in years to come! This set brings together all the Dolphy Series recordings that Jordan recorded – either as an artist or producer – two of which were never issued on record at the time.
Whether at the helm of a record date or as a sideman, Clifford Jordan was known for giving his all. These studio recordings were originally made for Strata East, a label known for its adventurous spirit. The tenor saxophonist leads two separate groups. The sextet selections include trombonist Julian Priester, pianist Wynton Kelly, bassists Wilbur Ware and Richard Davis, drummer Albert Heath, and trumpeter Don Cherry. Jordan's pensive "Vienna" is given an extended workout, with Cherry's somewhat abstract playing fitting in rather well. The second piece, Jordan's "Doug's Prelude," is also a bit brooding, showcasing the leader, Priester, and Kelly.
The first of three CDs featuring tenorman Clifford Jordan and his "Magic Triangle" (pianist Cedar Walton, bassist Sam Jones and drummer Billy Higgins) has fairly lengthy versions of "Pinocchio," "That Old Devil Moon," Walton's "The Maestro," and Jordan's "The Highest Mountain." Recorded live in Amsterdam, the musicians sound inspired by each other's presence, and there are many strong solos from Jordan and Walton. Well worth investigating.
An excellent compilation containing all his four Muse albums less the vocal tracks from "Remembering Me-Me". Clifford Jordan really has not received the credit to which he is due , being very much in the shadow of other tenor titans of his generation - but that is a great shame,given the man's undoubted talent and ability. He first came to prominence under the inspired leadership of Charles Mingus in that great man's quintets/sextets of the mid-60's with no lesser band-mates than Eric Dolphy,Johnny Coles and Jaki Byard,and to my mind he certainly more than held his own in that exhalted company.