Climax Blues Band

Esoteric Recordings is pleased to announce the release of “The Albums 1969 - 1972” by the Climax Blues Band; a 5 CD set comprising the band’s first five albums, originally issued on EMI’s Parlophone and Harvest labels between 1969 and 1972, namely The Climax Chicago Blues Band, Plays On, A Lot of Bottle, Tightly Knit and Rich Man.
Formed in Stafford in 1968 by Colin Cooper, the band (originally known as The Climax Chicago Blues Band) recorded their debut album in September & November 1968. Issued early the following year on EMI’s Parlophone label, the album saw the band gain a wider audience. Shortening their name to the Climax Blues Band, the group recorded and released their excellent follow-up album, Plays On, later that year. By 1970 the band had moved to EMI’s “progressive” label, Harvest, and issued their third album A Lot of Bottle later that year…

Heavy on the kind of blues-rock favored by Humble Pie, this is a live outing in front of a too-loud New York audience. Sax player Colin Cooper helps to separate these English midland lads from the heads-down no-nonsense boogie competition, although the emphasis is squarely on guitarist Peter Haycock. His solo electric slide showcase "Country Hat" is a marvel. The band's pop leanings featured so strongly on their studio recordings come through in "I Am Constant." It's a solid outing, and much meatier than subsequent offerings.

Led by Colin Cooper, the former frontman of the R&B unit the Hipster Image, the Stafford, England-based Climax Chicago Blues Band were one of the leading lights of the late-'60s blues boom. A sextet also comprised of guitarists Derek Holt and Peter Haycock, keyboardist Arthur Wood, bassist Richard Jones, and drummer George Newsome, the group debuted in 1969 with a self-titled effort recalling the work of John Mayall. Prior to the release of 1969's Plays On, Jones left the group, prompting Holt to move to bass. In 1970 the Climax Chicago Blues Band moved to the Harvest label, at the same time shifting toward a more rock-oriented sound on the LP A Lot of Bottle.

Four CD set. Climax Blues Band: The Albums 1973 - 1976 is the second collection of Climax Blues Band albums and features their work issued between 1973 and 1976, a period of commercial and concert success for the group which saw the release of the albums FM Live, Sense Of Direction, Stamp Album and Gold Plated…

UK five CD set comprising the band's first five albums, originally issued on EMI's Parlophone and Harvest labels between 1969 and 1972 (The Climax Chicago Blues Band, Plays On, A Lot of Bottle, Tightly Knit and Rich Man). Formed in Stafford in 1968 by Colin Cooper, the band (originally known as the Climax Chicago Blues Band) recorded their debut album in September and November 1968 with a line-up of Colin Cooper (vocals, harmonica), Pete Haycock (guitar, slide guitar, vocals), Arthur Wood (keyboards), Derek Holt (rhythm guitar, bass, organ), Richard Jones (bass) and George Newsome (drums)…

In 1981 the Climax Blues Band was located in Los Angeles, recording yet another album to meet the heavy demand for their musical aspirations. Lucky For Some featured, once again, the tightly knit line up of Peter Haycock on guitar and vocals, Colin Cooper on vocals and saxophone, Derek Holt on vocals, bass guitar and keyboards and John Cuffley on drums. By now, the band had been on the road for a decade or more and played with a telepathic sense of communication on these nine superb original LP tracks, including four Haycock originals. But the guys were also helped out in the studio by some distinguished guests, notably the late session keyboard player Nicky Hopkins and vocalist Glenn Hughes. Complete with a saucy album cover design, Lucky For Some has some hot performances like Peter's Shake It Lucy and Derek Holt's Breakdown , plus a bonus track Darlin (single version).

Now available on CD in Digipak format. Released for short time in 1988 on an indie label and hard to find. Comeback album after a five-year hiatus, with guitarist Lester Hunt impressively replacing co-founder Peter Haycock. Also features core trio of Colin Cooper, Lester Hunt, and George Glover, plus soon-to-be Status-Quo rhythm section of Jeff Rich and John Rhino Edwards. Revisits their smash hit single Couldn't Get It Right and long-time set opener Fool For The Bright Lights among 10 impressive blues-rock tracks. The band play on today with frontman Johnny Mars replacing late Colin Cooper. Booklet with authoritative and extensive liner notes written by respected Record Collector journalist Michael Heatley. Expertly re-mastered superb sound - top quality reproduction. The best in the business!

Esoteric Recordings is pleased to announce the release of “The Albums 1969 - 1972” by the Climax Blues Band; a 5 CD set comprising the band’s first five albums, originally issued on EMI’s Parlophone and Harvest labels between 1969 and 1972, namely The Climax Chicago Blues Band, Plays On, A Lot of Bottle, Tightly Knit and Rich Man.
Formed in Stafford in 1968 by Colin Cooper, the band (originally known as The Climax Chicago Blues Band) recorded their debut album in September & November 1968. Issued early the following year on EMI’s Parlophone label, the album saw the band gain a wider audience. Shortening their name to the Climax Blues Band, the group recorded and released their excellent follow-up album, Plays On, later that year. By 1970 the band had moved to EMI’s “progressive” label, Harvest, and issued their third album A Lot of Bottle later that year…

Gold is right – after gradually building their reputation a series of nine LPs, the Climax Blues Band finally enjoyed a serious hit single with "Couldn't Get It Right," which hit number three on the American charts and led to this album and then two years of almost constant touring. The group is at its most laid-back here, slipping more into a funk than a blues groove for most of Gold Plated's length. They keep some elements of their earlier sound, such as Peter Haycock's searing guitar solo on "Mighty Fire," but those looking for the group's unabashed older style will have to content themselves with just three numbers here: "Berlin Blues," with its chiming overlaid and over-amplified guitars, or the slow, Chicago blues-style "Rollin' Home," and the high-energy "Extra."