Clubbed To Death Elaine Viets

War is Roger Waters' great muse, the impetus for so much of his work, including the semi-autobiographical 1979 opus The Wall. The Final Cut, his last album with Pink Floyd, functioned as an explicit sequel to The Wall, but 1992's Amused to Death acts as something of a coda, a work where Waters revisits his obsessions - both musical and lyrical - and ties them together with the masterful touch of a mature artist. Certainly, Waters' narrative of a society filtering all manners of ugliness through a television screen isn't as sci-fi silly as that of its immediate predecessor Radio K.A.O.S., but a greater point in its favor is that it's a richer affair than that stiff, synthesized relic of the late '80s…

Decrepid. The group is a relatively new Death Metal act that hails from London, and had formed back in 2005. In 2009, they issued their first recording, which was a live album titled Live at the Purple Turtle. Two years later, the band entered the studio and recorded their first official full-length offering titled Devoted to Death. Devoted to Death makes for a fantastic trip through various interpretations of Death Metal over the years, all staying within a consistant dark and evil atmosphere. Each track is unique to one another, and often comes off brutal, intimidating, and/or simply catchy as all hell through it's commanding performance.

War is Roger Waters' great muse, the impetus for so much of his work, including the semi-autobiographical 1979 opus The Wall. The Final Cut, his last album with Pink Floyd, functioned as an explicit sequel to The Wall, but 1992's Amused to Death acts as something of a coda, a work where Waters revisits his obsessions – both musical and lyrical – and ties them together with the masterful touch of a mature artist…

War is Roger Waters' great muse, the impetus for so much of his work, including the semi-autobiographical 1979 opus The Wall. The Final Cut, his last album with Pink Floyd, functioned as an explicit sequel to The Wall, but 1992's Amused to Death acts as something of a coda, a work where Waters revisits his obsessions – both musical and lyrical – and ties them together with the masterful touch of a mature artist…

War is Roger Waters' great muse, the impetus for so much of his work, including the semi-autobiographical 1979 opus The Wall. The Final Cut, his last album with Pink Floyd, functioned as an explicit sequel to The Wall, but 1992's Amused to Death acts as something of a coda, a work where Waters revisits his obsessions – both musical and lyrical – and ties them together with the masterful touch of a mature artist…