Coco Live

This live double album features Coco Montoya and his band on the Road, as part of a RUF records series of on The Road albums delivered from their catalogue of blues artists. The opening track I Got A Mind To Travel, is an apt starting point and introduces us to the full band of musicians Coco Montoya uses to augment his vocal and guitar skills the use of Hammond Organ delivered with panache by Brant Leeper who also adds to the vocals. Throughout the album there are glimpses of Coco Montoya’s exceptional musical career especially the influence he certainly gives the feel of movement and the guitar sound is an homage to his old boss Albert Collins while playing the guitar left-handed and upside down like the other Albert King! Coco’s playing is instinctive full of fluidity. The whole album is easy on your ear and an enjoyable listening experience BUT at times you want Coco to let loose and really show us what he is capable of. On Love Jail his guitar takes on the shape and form of Albert Collins and all the better for it, even his vocals strengthen as the beat picks up, this is a stylish ten minute track. This album has fourteen tracks where Coco and his band just want to please as they play for the length of time need ( Never less than 5 minutes and up to a mighty 15 minutes) to explore all the alleyways and nooks and crannies they feel the music is taking them on their journey of discovery with you, there is freedom of expression that only live music free from the constrains of a studio walls and mixing desk.

Years of apprenticeship with Albert Collins and John Mayall paid off handsomely for Montoya on this debut effort. Even with help from some famous friends (Debbie Davies, Al Kooper, Richie Hayward [Little Feat], and both former employers), Montoya asserts himself as the focal point. Sadly, this was one of Collins' last studio appearances before his death, playing on the Lowell Fulson-penned "Talking Woman Blues" (commonly known as "Honey Hush"). Although Montoya showcases his massive guitar muscle, it is merely a fraction of the power of his live performances.

Years of apprenticeship with Albert Collins and John Mayall paid off handsomely for Montoya on this debut effort. Even with help from some famous friends (Debbie Davies, Al Kooper, Richie Hayward [Little Feat], and both former employers), Montoya asserts himself as the focal point. Sadly, this was one of Collins' last studio appearances before his death, playing on the Lowell Fulson-penned "Talking Woman Blues" (commonly known as "Honey Hush"). Although Montoya showcases his massive guitar muscle, it is merely a fraction of the power of his live performances.

On his first album in four years and sixth for Alligator, blues guitarist Coco Montoya alters his musical M.O. a bit. Writing on the Wall marks the very first time that Montoya brought his live working quartet into the studio. Tony Braunagel returns as producer and guests on drums on four tracks. Keyboardist Jeff Paris co-produced and recorded at Jeff's Garage. In addition to Paris, the band includes bassist Nathan Brown and drummer Rena Beavers. Guests include guitarists Ronnie Baker Brooks, country star Lee Roy Parnell, and Dave Steen. The 13-track set includes five tunes composed or co-written by Montoya, four from Steen, and one from Paris – they co-wrote the title track with Montoya. The shared songwriting makes this, arguably, the most homegrown affair in Montoya's Alligator catalog. The contents intuitively balance electric blues, blues-rock, roots rock & roll, old-school, and R&B.

Asian pop diva CoCo Lee was born January 17, 1974 in Hong Kong; a decade later the family relocated to San Francisco, and she subsequently studied biochemistry at the University of California at Irivne. After winning the Miss Chinese-America Pageant in 1991, two years later Lee returned to Hong Kong long enough to take second prize in the New Talent Singing Contest…

Brégent was formed around two brothers, vocalist Jacques and keyboardist Michel-Georges Brégent, with a backing band of guitar, bass, drums/percussion and two saxophone players.
After the formation and dissipation of Dionne Brégent, the Brégent brothers got back together for “Partir pour Ailleurs” (1979). Vincent Dionne is enlisted here on percussion. With the exception of one track from 1977, all music was written between 1970 and 1972. Once more, many of the lyrics are from poets such as Léo Ferré, but a good number are written by Félix Leclerc, a popular singer in Quebec during the 70s. The album was not recorded until 1978; the reason for it being seven years in the making remains a mystery. The music is more rock-oriented, even funky at times…

New live album recorded by legendary guitarist featuring Tommy Castro, Coco Montoya, Joe Louis Walker, Jason Ricci, Nick Moss and the late-great Johnny Bassett. Five years have passed since the release of JIM Mccarty & Friends. Jim continues to drop by the room sometimes jumping on stage to "trade guitar licks." Most of the players know him from Mitch Ryder & The Detroit Wheels, Buddy Miles, Cactus, and the Rockets. When Jim sits in it's always electric. The musicians push each other and the music to a higher level. Your demand for a second CD and the quality of playing made this project a reality. Here is another round of unrehearsed impromptu jams featuring JIM Mccarty and some of the best Blues musicians in the world. JIM Mccarty & Friends II, for Blues music lovers everywhere!