The first studio album from the new Colosseum line-up featuring Chris Farlowe, Clem Clempson and Mark Clarke together with new members Kim Nishikawara (saxophone), Nick Steed (Keyboards) and Malcolm Mortimore (drums). Recorded in London and New York during 2021 and produced by Clem Clempson and Mark Clarke.
As a genre was coming to life from 1969 to 1971, the group COLOSSEUM created some of the most innovative and diverse jazz-rock music there was. Everyone was taking the next logical step after Miles Davis conducted Jazz-Fusion 101 with Bitches Brew…
A concept album loosely based on man's fascination and allure for war throughout the ages, Daughter of Time contains all the elements required to create a pure progressive rock album. Joining David Greenslade and Chris Farlowe is Louis Cennamo from Renaissance, who plucks away at the bass guitar with a heavy hand. A multitude of instruments combine to create a brilliant melange of music on every one of the eight songs. Vibrant spurts of trombone, trumpet, and flute are driven to the height of each song, which gives way to some implements of jazz fusion.
Daughter of Time is the fourth album by Colosseum, released in 1970. The album remained for five weeks in the UK Albums Chart peaking number 23. Recorded in the midst of an upheaval in the band's lineup, only one of its eight tracks, "Three Score and Ten, Amen", features all six of the official band members. Mike DeGagne gave the album a rave retrospective review in Allmusic, chiefly praising the wide variety of instruments used, but also acknowledging the melancholy tones and sense of drama. His only criticism was that the songs are too short, "all around six minutes in length" (in fact, only three of the songs are around six minutes in length, and half of them are much shorter).