"…Despite their innovations, solid technical ability and raves from the critics, D.A.F. were certainly never ready for prime time. When other artists in the club genre were dancing around the issue of alternative sexuality, D.A.F. was fairly "out" about it – their album covers were blatantly homoerotic and lyrics often dealt with sadomasochism. While D.A.F.'s big, industrial-inspired dance sound certainly had some measure of commercial potential, the group didn't, and they were way ahead of their time – too far ahead. Gold und Liebe followed, much in the vein of Alles Ist Gut, though offering some further refinements in terms of sound and style. Some critics argue that Gold und Liebe represents D.A.F.'s "personal best," though Alles Ist Gut is such a defining statement in retrospect it would seem hard to top. With 1982s Gold und Liebe, D.A.F. decided to disband amicably, as the sequencer they used proved too limited to sustain them artistically beyond what they had already done."
There's hits on the 1979 New Values: 'New Values' 'Girls' 'I'm Bored' 'Five Foot One' 'African Man' and 'Billy is a Runaway' and on the 1980 Soldier 'Knockin' 'em Down in the City' 'Playin' It Safe' 'Dog Food' 'I Need More''Take Care of Me' 'I Snub You' and possibly the best of these, 'I'm a Conservative'. Oddly, at least to me, given how excellent these songs are, he pretty much only does 'Dog Food' over the years live. I happened to see him in 1979 at the Catamaran hotel in San Diego. He blasted out all the hits from New Values and he was spectacular. There was a stripper's pole on the stage and he used it like he was born on it.
Blah-Blah-Blah is the seventh studio album by Iggy Pop. Originally released in October 1986, on the label A&M, it remains his most commercially successful album to date. Blah-Blah-Blah appeared after a four-year hiatus for Pop, with David Bowie serving as his prime collaborator. It would be their final collaboration. A successful tour followed the album's release.
Alphaville's 2010 comeback album sets the time at defiance, playing as if the last two decades never existed, but the band's return to its prime form is so flawless the record sounds almost timeless. Thirteen years since their last commercial studio album, they pick up where synth pop left off: midtempo beats impossible not to tap to, romantic and nervous keyboard textures that take that space ambience of Kraftwerk and Tangerine Dream and put it to work, and dramatic vocals with a weepy edge, like Erasure is still the hottest new thing in town. This is supposed to sound plastic, but it doesn't, the hooks are too good, the melodies too convincing, and the mood is pinned down perfectly, as if the band spent all the time since 1997's Salvation working full-time to polish their stuff (though, as Axl Rose demonstrated, that's not necessarily a good thing). Besides, good dance-pop music hasn't really changed much since Alphaville's heyday, and there's since been plenty of synth pop aficionados keeping the flame alive and making Catching Rays on Giant relevant, but even if the style had been buried and forgotten after "Forever Young," this record would still shine through simply on the strength of its songwriting.
The production team of Phats and Small found much of their success in lending a hand to the European rebirth of disco and progressive house. Brighton, U.K., natives Russell Small and Jason Phats gained popularity with the dance singles "Turn Around" and "Feel Good." Russell began his DJing career at 13 when he started his own mobile DJ business, being escorted by his father to weddings and parties…
Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electropop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of their era…
Geraldine Carroll (born 21 August 1968, Newmarket, England), known as Dina Carroll, is a British singer of Scottish and African American heritage who had a string of hits during the 1990s as well as two platinum albums.