Concerto N°17 Piano Mozart

Alfred Brendel, Academy of St. Martin-in-the-Fields, Neville Marriner - Mozart: The Piano Concertos (1985)

Alfred Brendel, Academy of St. Martin-in-the-Fields, Neville Marriner - Mozart: The Piano Concertos (1985)
EAC | FLAC (tracks+.cue, log) | Covers Included | 634:42 | 2.7 Gb
Genre: Classical | Label: Philips | Catalog: 416 270-2

A 10 CD Box set with 23 Beautiful Mozart Piano Concertos. Alfred Brendel playing piano. Imogen Cooper also on piano. Accompanied by Academy of St. Martin-In-The-Fields orchestra. Conducted by Neville Marriner. This set is wonderful: Brendel is at the peak of his art, the conductor and the Orchestra are perfect, the sound is clear and old fashionable, very recommended.
Clifford Curzon, Oivin Fjeldstad, Kirsten Flagstad - Grieg: Concerto pour piano, 10 Mélodies & 3 Pièces pour piano (2022)

Clifford Curzon, Oivin Fjeldstad, Kirsten Flagstad - Grieg: Concerto pour piano, 10 Mélodies & 3 Pièces pour piano (2022)
FLAC (tracks), Lossless | 1:16:01 | 280 Mb
Genre: Classical / Label: Les Indispensables de Diapason

Clifford Curzon
Enfant prodige du piano, Clifford Curzon (né Siegenberg, 1907-1982) enseigne très tôt à la Royal Academy of Music de Londres après en avoir été l'élève. Médaille d'or du concours MacFarren à 17 ans en 1924, il se perfectionne auprès d'Arthur Schnabel qu'il ne tarde pas à concurrencer, de Wanda Landowska et de Nadia Boulanger dont il se fait l'interprète. Si ce spécialiste de Mozart, Schubert, Schumann et Dvorak est resté fidèle à la maison Decca pendant toute sa vie, il s'est souvent opposé à la publication d'enregistrements qu'il ne jugeait pas satisfaisants. Son héritage n'en est pas moins considérable comme en témoigne le coffret de 23 CD édité pour le trentième anniversaire de sa disparition en 2012 (The Complete Recordings). Anobli en 1977, Médaille d'or de la Royal Philharmonic Society en 1980, Sir Clifford Curzon demeure l'un des plus grands, si ce n'est le plus grand, pianistes du Royaume-Uni. Au chapitre de ses réussites figurent les Impromptus de Schubert (1941), le Concerto n°1 (1962) et la Sonate n°2 de Brahms et les Concertos n°20 à 27 de Mozart (1967-1970).
Arthur Grumiaux, Colin Davis, London Symphony Orchestra - Mozart: The Violin Concertos (2001)

Arthur Grumiaux, Colin Davis, London Symphony Orchestra - Mozart: The Violin Concertos (2001)
EAC | FLAC | Image (Cue & Log) ~ 696 Mb | Total time: 153:26 | Scans included
Classical | Label: Philips | 464 722-2 | Recorded: 1956, 2961, 1962, 1964

At the ripe old age of 19 Mozart wrote five violin concertos, and they represent his coming of age as a composer of orchestral music. From here on, it's basically one masterpiece after another. Though not difficult works, technically speaking, they partake in full measure of Mozart's uniquely sensual brand of melody. That means that successful performances must know how to spin out a singing musical line, while at the same time making the most of the rare opportunities for soloistic display. Taste and musicianship are more important qualities than virtuosity, and that makes these pieces ideal vehicles for Arthur Grumiaux's aristocratic temperament and technical polish.
Maria Joao Pires - Verdes Anos 1976-1985: J.S. Bach, Beethoven, Chopin, Schumann, Mozart (2005) 5CD Box Set

Maria João Pires - Verdes Anos 1976-1985 (2005) 5CD Box Set
J.S. Bach, Beethoven, Chopin, Schumann, Mozart

EAC | FLAC | Image (Cue&Log) ~ 1.21 Gb | Mp3 (CBR320) ~ 777 Mb | Scans ~ 22 Mb
Genre: Classical | Label: Erato/Warner Classics | # 2564612482 | Time: 05:30:10

Maria João Pires “shapes and colours every phrase, and with immaculate taste, and she makes sure the phrases end as eloquently as they begin,” wrote Gramophone in 1974. “She conveys not just the details but the relevance of every note to the whole … Best of all, she communicates everything she has discovered about the music, and it is worth having.” This Portuguese pupil of Wilhelm Kempff, Pires was one of the artists who defined the Erato label in the 1970s and 1980s. This 5-CD box gathers together the recordings she made over the period from 1976 to 1985 and it reflects the consistent focus of her repertoire, with its special emphasis on Austro-German composers of the Classical and early-Romantic periods. Embracing solo works, piano duets and concertos, it contains works by Mozart, Schumann, Beethoven, but also by Bach and Chopin.
Edwin Fischer, Friedrich Gulda, Lili Kraus, Arturo Benedetti - Mozart: Concertos pour piano Nos. 12, 14, 15, 17, 18 & 26 (2017)

Edwin Fischer, Friedrich Gulda, Lili Kraus, Arturo Benedetti Michelangeli & Rudolf Serkin - Mozart: Concertos pour piano Nos. 12, 14, 15, 17, 18 & 26 (2017)
EAC Rip | FLAC (tracks+log+.cue) - 592 Mb | MP3 CBR 320 kbps - 358 Mb | Scans included | 02:33:17
Classical | Label: Les indispensables de Diapason

Six ans après le premier, un nouveau lot de six concertos, où tarte à la crème du "divin Mozart" ne résiste pas aux assauts de solistes et d'orchestres allumés. Six raretés, par ailleurs.
Matthias Kirschnereit, Bamberger Symphoniker, Frank Beermann - Mozart: The Piano Concertos (2006)

Matthias Kirschnereit, Bamberger Symphoniker, Frank Beermann - Mozart: The Piano Concertos (2006)
EAC Rip | FLAC (Image+.cue, log) | 2,13 Gb | Scans ->64 mb
MP3 320 kbps | 10 CDs, 09:50:24 min | 1,36 Gb
Genre: Classical / Label: Arte Nova Classics

Matthias Kirschnereit is one of the leading German pianists of his generation. His international solo career has taken him to five continents. He has very close links to the Bamberg Symphony Orchestra, with whom he is recording Mozart's collected piano concertos for Arte Nova. Kirschnereit's fascination with Mozart's piano concertos dates back to his youth.
Vladimir Ashkenazy, Philharmonia Orchestra - W.A. Mozart: The Piano Concertos (1995) 10 CD Box Set, Reissue 2006

Wolfgang Amadeus Mozart: The Piano Concertos (1995) 10 CD Box Set, Reissue 2006
Vladimir Ashkenazy (piano & conductor), Philharmonia Orchestra
with Fou Ts'ong, piano; English Chamber Orchestra, Daniel Barenboim (conductor & piano);
London Symphony Orchestra, István Kertész (conductor)

EAC | FLAC | Tracks (Cue&Log) ~ 2.78 Gb | Mp3 (CBR320) ~ 1.63 Gb | Scans ~ 165 Mb
Genre: Classical | Label: Decca | # 476 8904 | Time: 12:09:46

Even though Vladimir Ashkenazy is most often celebrated for his brilliantly virtuosic interpretations of Romantic repertoire, his skills in playing works of the Classical era are just as worthy, as proved by this 10-disc set from London of Wolfgang Amadeus Mozart's piano concertos. These performances span a period from 1966 to 1988, capturing a youthful and vigorous Ashkenazy playing and conducting the Philharmonia Orchestra and the English Chamber Orchestra from the keyboard, in approved Mozartian fashion. All of the keyboard concertos are here, including the official 27 concertos for piano and orchestra, the Concerto for two pianos in E flat major, K. 365, the Concerto for three pianos in F major, K. 242, as well as the two Rondos K. 382 and K. 386. Ashkenazy's elegant playing has been highly praised by critics and placed on a level with his esteemed contemporaries Murray Perahia, Daniel Barenboim, and Alfred Brendel, all past masters of Mozart's primary medium of expression.
Clara Haskil - Wolfgang Amadeus Mozart: Piano Concertos Nos. 9, 19, 20 & 24 (2009)

Clara Haskil - Wolfgang Amadeus Mozart: Piano Concertos Nos. 9, 19, 20 & 24 (2009)
XLD | FLAC | Tracks (Cue & Log) ~ 505 Mb | Total time: 61:54+59:19 | Scans included
Classical | Label: Ina | # ABM099 | Recorded: 1948, 1955, 1956

Today’s personality-cult pianists could, if they chose, learn a tremendous amount from these performances. Clara Haskil’s 1960 Paris recordings of Mozart’s two minor-key piano concertos, Nos. 20 (D minor) and 24 (C minor), have patrician nobility with no scene-stealing heroics. Both performances, incidentally, have been widely circulated, appearing most recently in the “Great Pianists of the 20th Century” series. This leaves concertos 9 and 19, and some shrewdly judged Scarlatti sonatas still out in the cold, but somehow I doubt that this reissue will signal any wider rehabilitation of Haskil’s discographic legacy.

Danielle Laval - Mozart: Piano Variations Vol. 1 (2023)  Music

Posted by delpotro at March 25, 2023
Danielle Laval - Mozart: Piano Variations Vol. 1 (2023)

Danielle Laval - Mozart: Piano Variations Vol. 1 (2023)
WEB FLAC (tracks) - 560 Mb | MP3 CBR 320 kbps - 365 Mb | 02:39:15
Classical | Label: Decca Classics

After her studies at the « Conservatoire National Supérieur de Musique », passing with a unanimous First Prize in Vlado Perlemuter’sclass, Danielle Laval fell under Arthur Rubinstein’s notice. He was dazzled by her virtuosity and her deep sensitivity.
Mitsuko Uchida, Christian Tetzlaff, Ensemble InterContemporain, Pierre Boulez - MOZART 13 BERG (2008)

Wolfgang Amadeus Mozart: Serenade In B Flat, K.361 "Gran partita"
Alban Berg: Chamber Concerto For Piano And Violin With 13 Wind Instruments
Mitsuko Uchida (Piano), Christian Tetzlaff (Violin)
Ensemble InterContemporain; Pierre Boulez, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 198 Mb | Scans included
Genre: Classical | Label: Decca | # 478 0316 DH | Time: 01:20:15

The greatest of Mozart's wind serenades and the toughest of Alban Berg's major works might seem an unlikely pairing, but in an interview included with the sleeve notes for this release, Pierre Boulez points up their similarities. Both works are scored for an ensemble of 13 wind instruments (with solo violin and piano as well in the Berg) and both include large-scale variations as one of their movements - and Boulez makes the comparisons plausible enough in these lucid performances. It's rare to hear him conducting Mozart, too, and if the performance is a little brisker and more strait-laced than ideal, the EIC's phrasing is a model of clarity and good taste. It's the performance of the Berg, though, that makes this such an important issue; both soloists, Mitsuko Uchida and Christian Tetzlaff, are perfectly attuned to Boulez's approach - they have given a number of performances of the Chamber Concerto before - and the combination of accuracy and textural clarity with the highly wrought expressiveness that is the essence of Berg's music is perfectly caught.