One of the most original voices in jazz, Lennie Tristano paved the way for modern generations with his groundbreaking innovations and dedication to teaching. Recordings of Lennie Tristano have served as essential listening for jazz fans and musicians alike since his recording debut as a leader in 1946. His singular voice on his instrument and his expansions in the worlds of harmony and rhythm forever changed the musical vocabulary of the Jazz musician.
The history of jazz is written as a recounting of the lives of its most famous (and presumably, most influential) artists. Reality is not so simple, however. Certainly the most important of the music's innovators are those whose names are known by all Armstrong, Parker, Young, Coltrane. Unfortunately, the jazz critic's tendency to inflate the major figures' status often comes at the expense of other musicians' reputations men and women who have made significant, even essential, contributions of their own, who are, for whatever reason, overlooked in the mad rush to canonize a select few.
This aptly titles trio performance aligns alto saxman Tabnik with bassist Cameron Brown and drummer Carol Tristano, all committed to music shaped by the moment's inspiration. Still, they can pursue uncharted paths with confidence and music vocabulary rooted in past moments of the jazz experience. Thematically, the lines created by Tabnik are free of conventional melodic movement but they are not without structure and purpose. Both Brown and Tristano provide a steady pulse to nourish Tabnik's freer excursions and Brown goes beyond his support role to bring form and color to each piece. Except for one track which flashes back to Lester Young's fluid solo sound on Cahn/Chaplin's Shoe Shine Boy, all this music develops collectively on Tabnik originals.