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In these three delightful documentaries—The Great Chase, a rollicking compendium of the greatest hits of silent-cinema chase sequences, The Love Goddesses, a look at cinema's most alluring female sex symbols, and Paul Robeson: Tribute to an Artist, an Oscar-winning remembrance of the ground-breaking American stage and screen star—director Saul J. Turell pays tribute to the movies in engaging, eclectic ways.

Years before Akira Kurosawa changed the face of cinema with such iconic works as Rashomon, Seven Samurai, and Yojimbo, he made his start in the Japanese film industry with four popular and exceptional works, created as World War II raged. All gripping dramas, those rare first films - Sanshiro Sugata; The Most Beautiful; Sanshiro Sugata, Part Two; and The Men Who Tread on the Tiger’s Tail - are collected here and include a two-part martial arts saga, a portrait of female volunteers helping the war effort, and a kabuki-derived tale of deception. These captivating films are a glorious introduction to a peerless career.

Rarely do landmark works of cinema seem so … wrong. Robert Downey Sr. emerged as one of the most irreverent filmmakers of the New York underground of the sixties, taking no prisoners in his rough-and-tumble treatises on politics, race, and consumer culture. In his midnight-movie mainstay Putney Swope, an advertising agency is turned on its head when a militant black man takes over. like Swope, Downey held nothing sacred. Presented here are five of his most raucous and outlandish films, dating from 1964 to 1975, each a unique mix of the hilariously crude and the fiercely experimental.

A film star comes face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career.

Three girls come to Hollywood to make it big, but find only sex, drugs and sleaze.

In the Camargue, France, a young boy bonds with a white haired horse that escaped from ranchers.

A captivating look behind the scenes of the remarkable life of a young Swedish girl who became one of the most celebrated actresses of American and World cinema.

In the 1970s, Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema movement, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Each starring Rüdiger Vogler as the director’s alter ego, Alice in the Cities, Wrong Move, and Kings of the Road are dramas of emotional transformation that follow their characters’ searches for themselves, all rendered with uncommon soulfulness and visual poetry.

A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.