Cyrus Chestnut

SAXOPHONIST/COMPOSER BOBBY WATSON DRAWS INSPIRATION from the rich jazz heritage of his Kansas City hometown on his spirited album Back Home in Kansas City. It features an all-star quintet with trumpeter Jeremy Pelt, pianist Cyrus Chestnut, bassist Curtis Lundy and drummer Victor Jones, with a guest appearance by singer Carmen Lundy.

Allen's a decent though hardly extraordinary mainstream drummer who here leads an all-star neo-bop contingent in a set of standards and originals. Nothing surprising about the general conservatism of the date, given the personnel – Vincent Herring on alto sax, Nicholas Payton on trumpet, and Cyrus Chestnut on organ, to name a few. There's also nothing in particular wrong with the music, which is heartily played and deeply felt. Nothing, that is, except for the fact that it's covering ground that's been pretty much trampled into dust. It's a pleasant-enough listen, however, and since Cannonball Adderley isn't around to make albums like this anymore, maybe it's a good thing that musicians like these are. On the other hand, as long as guys like Johnny Griffin, Joe Henderson, and Phil Woods still walk the planet, the need is somewhat diminished.

Playing in front of an invited studio audience, Dr. John is featured with a full-scale jazz ensemble on this 1991 session Funky New Orleans. Alto saxophonist Donald Harrison Jr. is the leader of the date, which allows Dr. John to concentrate not only on piano and vocals but also his guitar playing. A hand full of Mac Rebennack and Harrison originals are mixed with the dirty blues of "Shave em Dry" and a nod to Professor Longhair and Earl King on "Big Chief." Also, two instrumental straight-ahead jazz pieces are explored on "Hu-Ta-Nay" and "Walkin Home." This really isn't a Dr. John recording as much as an honest portrayal of these (mainly) New Orleans musicians in an extremely loose and funky setting. Recommended and available on the budget Metro label.

Carla Cook's Dem Bones follows her critically acclaimed and commercially successful Maxjazz debut, It's All About Love. The Grammy-nominated artist taps into her diverse musical influences and presents a musical autobiography reflected in 11 songs. The precision of her multi-hued voice is accompanied by such great musicians as Cyrus Chestnut on piano; Fred Wesley, Craig Harris, and Tyrone Jefferson on trombones; James Genus on bass; and Billy Kilson on drums. Packed with straight-ahead jazz, the crowning glory on this CD is the approach she uses on the title cut, "Dem Bones." Tastefully arranged for three trombones (her voice being the fourth "bone") Cook's presentation adds a modern dimension to the use of the trombone – both muted and open – as an expressive "voice" in a jazz composition.