D 12

Phillips' Great Pianists of the 20th Century issue has gotten a lot of publicity in the ten or so years since it has been released. In a musical niche suffering from falling revenues, it was a decent seller. But it left many connoisseurs disappointed, as the quality was limited to the fancy packaging.

François Bayle - 50 ans d'acousmatique (2012) {15CD Set INA GRM Official Digital Download rel 2015}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 5.36 Gb | MP3 @320 -> 2.20 Gb
Full Artwork (jpg+pdf) -> 38 Mb | 5% repair rar
© 2015 INA GRM | INA G 6033/6047
Classical / Musique Concrète / Avant-Garde Music / Experimental Electronic

Monumental! Lavishly conceived, superlative 15-CD Boxset with 160-page (French, English) booklet, a dream come true!!!! François Bayle's itinerary spans over five decades through which music was able to renovate its material through a sensible use of technology. The terms of Musique Concrète, Electroacoustics or Acousmatics, as conveniently proposed by François Bayle, ultimately explore a similar artistic approach: a creative and expressive work on recorded sound. This last half-century saw many major technical mutations and François Bayle - in the fertile context of the Grm seized the right opportunities, often initiating them through his function as director, so as to renovate and update creativity to serve what he called the Light Speed Sound.

Pierre Schaeffer - Solfège de l'objet sonore (1967) {3CD Set, Ina-GRM ina c 2010/11/12 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 481 Mb | MP3 @320 -> 311 Mb
Full Artwork @ 600 dpi (jpg) -> 523 Mb | 5% repair rar
© 1967, 2005 Ina-GRM | ina c 2010/11/12
Classical / Electroacoustic / Electronic / Musique Concrète

It is a well-established fact that our approach to music is generally twofold: this is the physicists' as well as the musicians' doing. One the one hand, music is considered to be based on acoustics, or even mathematics, which ought to give it the status of a science; on the other hand , it is acknowledged that it proceeds from psychological and sociological phenomena which, over the ages, have developed into an art, itself depending on various crafts. There is no longer any contradiction between the two approaches so long as one is prepared to accept them jointly, with enough insight to respect the methods proper to each end of the "chain."