Released in 1978, "Love Brought Me Back" was D.J. Rogers' most commercially successful album. The gorgeous title track is a mid-tempo ballad that deservedly became a Top 20 R&B hit and this album (as a whole) is very much enjoyable. While it does have a couple of obligatory uptempo Disco tracks the slow-tempo, slow-burn Quiet storm ballads and mid-tempo numbers are what make this album special. This remastered edition from Soulmusic.com Records reissues the entire original album plus a few bonus remixes and single edits as bonus tracks.
Gebel, who isn’t mentioned in any of the current music encyclopedias, clearly proves–on evidence of this very fine Passion–that he was worthy of acclaim (confirmed by various contemporaty sources) and was capable of original ideas and possessed the creative resources to write music of sustained drama and interest. While this passion setting is nowhere near as powerfully affecting in either the spiritual or theatrical sense as those of Bach, it does offer consistently appealing and emotionally meaningful musical realizations, spread among numerous arias, choral movements, and chorales. Gebel also was quite adept at colorful scoring, exemplified in his fascinating combinations of instruments such as horns, oboe, bassoon, violins (often pizzicato), and theorbo (highlighted in a solo during one of the arias late in the work).
L'Empire brannique tire sa puissance de cendres alchimiques procurant l'énergie nécessaire aux machines et à l'armement. Des cendres obtenues en brûlant vif les gens doués de magie, que les Traqueurs débusquent dans la population, y compris les enfants. Mais cela ne suffit pas. Alors l'empire lance des croisades par-delà l'océan, vers un continent peuplé d'étranges humanoïdes, en qui l'Église de l'Alchimie ne voit que du combustible. …