When David Bowie recorded what became DAVID LIVE at Philadelphia's Tower Theatre in July 1974, he had fully made the leap from Ziggy Stardust and landed feet-first into the shoes of the Thin White Duke. Despite announcing his retirement from live performance the year before, Bowie seemed no worse for wear fronting a ten-piece directed by future LETHAL WEAPON composer Michael Kamen and featuring new guitarist Earl Slick and horn player David Sanborn. This 2-CD set finds the chameleonic performer mixing in Ziggy-era classics such as "Rock 'N' Roll Suicide" with material from DIAMOND DOGS ("Rebel Rebel," "1984"), ALADDIN SANE ("Cracked Actor") and HUNKY DORY ("Changes"). The fullness of the horn section and the style of his back-up band give this set a soulful tilt powered by Slick's ballsy playing. This, along with a cover of the Stax nugget "Knock On Wood," pointed at Bowie's immersion in a Philly soul direction that emerged full-fledged on YOUNG AMERICANS.
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars…
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise & Fall of Ziggy Stardust and the Spiders from Mars. Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam.–Allmusic.
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread.
Fifty-Two Years: The Complete Singles “ includes both sides of every single – all in their original mixes/edits – that Bowie released in his five decade long career. As the music industry moved away from 7? 45s in the ’90s and ’00s and toward CD EPs, 12? dance mixes and downloads, every effort was made to keep with the original singles concept so some of these other formats are included, if there were unique versions, and it appeared that The Thin White Duke had intended it to be a stand alone release or to promote a new album. Each of his forays into different genres/personas are fully documented here.