Dexter Complete Prestige Recordings

Dexter Gordon - Blue Dex: Dexter Gordon Plays The Blues [Recorded 1969-1973] (1996) (Repost)

Dexter Gordon - Blue Dex: Dexter Gordon Plays The Blues [Recorded 1969-1973] (1996)
EAC Rip | FLAC (image+.cue+log) - 435 MB | Covers (11 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Prestige Records (PRCD-11003-2)

This single CD anthology is chock-full of the mighty Dexter Gordon (tenor sax) as leader or as primary participant in seven selections showcasing his surprisingly wide array of interpretive skills within the blues. While the majority of the contents have been culled from Gordon's late-'60s and early-'70s Prestige output, the update of Jay McShann's "The Jumpin' Blues" as well as Gordon's own "Sticky Wicket" are both alternate takes that weren't available prior to the all-inclusive 11-disc Complete Prestige Recordings (2004) box set. The latter opens the compilation as the double-sax assault of Gordon and James Moody (tenor sax) is supported by Barry Harris (piano), Buster Williams (bass), and Albert "Tootie" Heath (drums)…
Hank Mobley - Eight Classic Albums (2013) {4CD Set Real Gone Jazz RGJCD262 rec 1955-1960}

Hank Mobley - Eight Classic Albums (2013) {4CD Set Real Gone Jazz RGJCD262 rec 1955-1960}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.81 Gb | MP3 @320 -> 713 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1955-60, 2013 Real Gone Jazz | RGJCD262 | Digitally Remastered & Enhanced
Jazz / Hard Bop / Mainstream Jazz / Saxophone

Four CD set containing eight albums from the Jazz legend. Includes the albums Hank Mobley Quartet, Tenor Conclave, Hank Mobley All Stars, Hank, Hank Mobley Quintet, Hank Mobley Sextet, Soul Station and Roll Call. With no disrespect toward Hawk, Bean, Prez, Trane, Rollins, Getz, Shorter, Henderson, Dexter and Brecker, Hank Mobley is the tenor player I listen to more than any other (were Sonny Stitt exclusively a tenor player, his recordings would be a close second, with Harold Land, Charlie Rouse, Oliver Nelson and Paul Gonsalves in the 3rd spot). Mobley doesn't so much "impress" as "seduce" the listener with ceaselessly melodic, lyrical, soulful inventions each time out. He was no "innovator" or trailblazer. Nor, like so many "showier" tenors, did he introduce "artifacts" into his sound–wobbles, growls, squeals and screeches, etc., approaches as common during the '30s and '40s as in the adventurous experimentation of modal and free players in the '60s and beyond.

Miles Davis Featuring John Coltrane (2005) 4CD Box Set  Music

Posted by Designol at May 5, 2024
Miles Davis Featuring John Coltrane (2005) 4CD Box Set

Miles Davis Featuring John Coltrane (2005) 4CD Box Set
EAC | FLAC | Tracks (Cue&Log) ~ 1.1 Gb | Scans ~ 77 Mb | Time: 03:28:42
Bop, Hard Bop, Cool, Modal Jazz | Label: Documents/Membran | # 223215-354

4 CD Set, 32 tracks, 36-page booklet. Documentation in German, English, French, Spanish and Italian. Ice and fire they were: a two-horned paradox. Offstage, one was quiet, pensive, self-critical to a fault, practising obsessively. The other was cocksure, demanding; running with friends rather than running scales. But on the bandstand and on record, they reversed roles. John Coltrane, with saxophone in hand, became the unbridled one: long-winded, garrulous. When Miles Davis raised his trumpet, he played the sensitive introvert, blowing brief, hushed tones, exuding vulnerability. Their names now command reverence, and rarely induce less than eulogy. The music they created together during an almost five-year union still resonates, entrances, influences and sells, sells, sells.