BL!NDMAN’s approach to early music using modern instrumentation seeks to achieve a reformative transformation, rather than an exact imitation. For the past 20 years, BL!NDMAN has been constantly engaged in the search for a saxophone sound that throws new light on old music. Central to this is timbre, as is the way in which the tone can be consciously influenced by the whole body, even the voice box. This 7-CD set charts their extraordinary journey.
The heir apparent to Chicago's legacy of amplified blues harmonica, William Clarke was the first original new voice on his instrument to come along in quite some time; he became a sensation in blues circles during the late '80s and early '90s, stopped short by an untimely death in 1996. A pupil and devotee of George Harmonica Smith, Clarke was a technical virtuoso and master of both the diatonic harp and the more difficult chromatic harp (the signature instrument of both Smith and Little Walter). Where many new harmonica players had become content to cop licks from the Chicago masters, Clarke developed his own style and vocabulary, building on everything he learned from Smith and moving beyond it. His four '90s albums for Alligator earned wide critical acclaim and remain his signature showcases.
The Dark Side of the Moon is the eighth album by the English rock band Pink Floyd. Originally released on 1 March 1973, on the label Harvest, it built on ideas explored in the band's earlier recordings and live shows, but departs from instrumental thematic by founding member Syd Barrett. The album explores themes including conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state. The Dark Side of the Moon was an immediate success; it topped the Billboard Top LPs & Tapes chart for a week and remained in the chart for 741 weeks from 1973 to 1988. With an estimated 45 million copies sold, it is Pink Floyd's most commercially successful album and one of the best-selling worldwide. It produced two singles, "Money" and "Us and Them", and is the band's most popular album among fans and critics, and has been ranked as one of the greatest albums of all time.
Soundgarden’s third album found them making a bid for the mainstream. Though often lumped in with other Seattle bands that broke during the early '90s, Soundgarden was always unabashedly classic rock—less a departure from The Doors and Led Zeppelin than a post-punky extension of them, carried in part by the wail of singer Chris Cornell. Poised between the heavy-metal leanings of their earlier albums and their dark commercial peak (1994’s Superunknown), Badmotorfinger found the band sharpening their songs and clarifying their sound, turning piles of sludge and grit into viable radio hits (like “Outshined” and “Rusty Cage”). Here, a remastered edition of the album joins a spate of demos and outtakes, as well as a blistering 1992 live set previously released only on VHS.
Best remembered for their 1978 hit "Driver's Seat," London-based new wave combo Sniff 'n' the Tears emerged from the remnants of the little-known Ashes of Moon, which disbanded in 1974 after failing to stir up much label interest…