Damage (1992)

Metallica is the fifth studio album by American heavy metal band Metallica. Released on August 12, 1991, by Elektra Records, it is commonly referred to as The Black Album because of its packaging design…

His first album hit the streets in 1976 and initially its arrival caused few heads to turn. Music fans were confused; were these a bunch of punks or 1960s revivalists with a liking for Gene Clark era Byrds? Fortunately, as is so often the case, the UK seemed to 'get it' pretty soon after the record s release there and it reached #24 on the British chart. News traveled West, and a full year after the home turf release Tom Petty and the Heartbreakers entered the Billboard chart. Shortly thereafter second album You're Gonna Get It! was released, and became a hit right away. The rest, as they say, is history. But it s relatively recent history about which any number of books, films and of course superlative albums are readily available for students of this remarkable performer to delve into.

Sarah Brightman (born 14 August 1960) is an English classical crossover soprano, actress, musician, songwriter, conductor, and dancer. Brightman has sung in many languages including English, Spanish, French, Latin, German, Turkish, Italian, Russian, Mandarin Chinese, Japanese and Catalan.Brightman began her career as a member of the dance troupe Hot Gossip and released several disco singles as a solo performer. In 1981, she made her West End musical theatre debut in Cats and met composer Andrew Lloyd Webber, whom she later married. She went on to star in several West End and Broadway musicals, including The Phantom of the Opera, where she originated the role of Christine Daaé.

Any discussion of the Top 100 '90s Rock Albums will have to include some grunge, and this one is no different. A defining element of that decade, the genre (and the bands that rose to fame playing it) was given credit for revitalizing rock at a badly needed moment. That said, there's far more to the story. Our list of the Top 100 '90s Rock Albums, presented in chronological order, takes in the rich diversity of the period.

At the same time Brian Eno was working on Here Come the Warm Jets, he was flexing his experimental muscle with this album of tape delay manipulation recorded with Robert Fripp. In a system later to be dubbed Frippertronics, Eno and Fripp set up two reel-to-reel tape decks that would allow audio elements to be added to a continuing tape loop, building up a dense layer of sound that slowly decayed as it turned around and around the deck's playback head. Fripp later soloed on top of this. (No Pussyfooting) represents the duo's initial experiments with this system, a side each. "Heavenly Music Corporation" demonstrates the beauty of the setup, with several guitar and synth elements building on top of each other, the music slowly evolving, and Fripp ending the piece with low dive-bombing feedback that swoops over the soundscape, bringing the piece to its conclusion…