Dan Walsh

Originally finding fame with The McCoys, Rick Derringer worked with both Johnny and Edgar Winter, as well as Steely Dan, before going solo in 1973 for All American Boy. Co-produced with Bill Szymczyk, who would later produce the Eagles, All American Boy features guest appearances from Joe Walsh, Suzi Quatro and Edgar Winter, and features his best known hit, 'Rock And Roll Hoochie Koo'. The album also features 'Hold', a song co-written with a then relatively unknown Patti Smith. The bonus tracks include mono single versions of 'Rock 'n' Roll Hoochie Koo' and 'Teenage Love Affair'. Produced by Rick himself, Spring Fever followed in 1975, and includes a revisit to the McCoys' 'Hang On Sloopy', as well as the Rufus Thomas classic, 'Walkin' The Dog'.

10CD box set containing 200 original recordings of extremely rare rock and roll songs, you're unlikely to find in any other collection. Featuring Gene Vincent, Boyd Bennett & His Rockers, The Threeteens, Jimmy Isle, Sonny Williams, Gene La Marr and others.

Various Artists - Baby, How Can It Be? Songs of Love, Lust and Contempt from the 1920s and 1930s (2010) {Dust-To-Dust 3cd Set}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 459 Mb | MP3 @320 -> 425 Mb
Full Artwork @ 300 dpi (png) -> 75 Mb | 5% repair rar
© 2010 Dust-to-Digital ‎| DTD-16
Country Blues / Acoustic Blues / Bluegrass / Country / Early American Blues / Old-Timey

Dust to Digital always does an impressive job of providing compelling thematic material in artfully designed packaging. This has been true since their debut offering, Goodbye, Babylon, that showcased Southern sacred song and oratory. Baby, How Can It Be? Songs of Love Lust and Contempt from the 1920s and 1930s (the label's 16th release), follows suit. Assembled from the 78 collection of John Heneghan, this three-disc, 66-track set looks at its title subjects from all sides. It travels disc by disc from the first flush and ardor of romance, through the heat and passion of eros, to the tales of terror, depression, and violence that occur when the flower of belladonna replaces the rose's bloom.

Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion…

Legendary bassist Stanley Clarke considers his upcoming Mack Avenue Records release, The Stanley Clarke Band’s UP, to be the most energetic, rhythmic and upbeat album that he has ever done—and with more than 40 solo albums under his belt, that’s saying quite a lot. Clarke’s signature bass virtuosity and technical acumen is present throughout, but the enjoyment he had in making this album is also apparent. Unlike his predominantly acoustic bass work on the last few albums, UP is almost equal parts electric and acoustic bass.

In 1980 Roby Duke signed with Songbird records, a joint effort between Sparrow Records and MCA for artists with a decidedly mainstream sound or potential. Roby Duke’s music was so out-of-place in CCM, with its clear soulful and jazz influence and a cool factor that was through the roof. The album sported a host of who’s who musicians and vocalists including Hadley Hockensmith, Marty Walsh, Harlan Rogers, Keith Edwards, Dan Huff, Alex MacDougall and Rob Watson. How can anyone go wrong with two members of Daniel Amos and nearly the totality of Koinonia? CCM sweetheart Kelly Willard also appears on a great duet…