Daniel Harding

The Summer Night Concert of the Vienna Philharmonic is the world's biggest annual classical open-air concert and will take place in the magical setting of the Schönbrunn Palace Baroque park in Vienna on June 18, 2021. The theme for this year is Fernweh and includes musical favorites from Bernstein, Verdi, Rachmaninov, Sibelius, Elgar, Debussy and Holst. It will also include many fantastic Summer Night Concert debuts: SNC debut by pianist Igor Levit & British conductor Daniel Harding.

It takes a long time to find such a distinguished conductor who, in his early 20s, has already conducted orchestras such as the Berlin Philharmonic, the London Symphony Orchestra and the Los Angeles Philharmonic with great success. You will find what you are looking for in this class with the conductor Daniel Harding, who was born in 1975. After many great CD recordings, Harding's work can now be experienced in a fascinating DVD production: in the recording of Mozart's opera »Così fan tutte« at the Aix-en-Provence Festival in 2005 - staged by Patrice Chéreau, the director of the legendary Bayreuth-Rings from 1980. Elina Garança, the new star in the Mozart heavens (who released a sensational Mozart recital on Virgin Classics in November 2005), is there as Dorabella.

This Beethoven recording conducted by Daniel Harding is marked out mostly by its bristling, scintillating energy. Despite the brisk (but marvellous) "tempi", the interpretation here shows a great musical clarity alongside a subtlety of detail and beauty of sound. The fiery, apollonian character of these overtures is clearly stressed by this young conductor, and it is simply perfect! Take the "Leonore I" as an example… It (definitely) is the most thrilling recording I ever heard of this exciting work. Harding's personal choices of tempo and rubato seemed a natural part of the music onward flow. The entire set of overtures is remarkable for its consistency of interpretation! Forget Abbado, Barenboim or Gardiner - this is the definitive recording of Beethoven Overtures!

Petibon has established herself as one of the most interesting and versatile sopranos of our day and has been widely acclaimed for her outstanding acting abilities that make her merge completely with whatever role she sings and represents on stage.

Seven musical character images – each one immensely sensual and expressive, and standing on its own like a monument. The British composer Gustav Holst, fascinated by (esoteric) astrology, chose the planets of our solar system and the characteristics attributed to them as the basis for what he referred to as musical ""mood pictures"" or ""embodiments"". Ultimately, the seven movements of his orchestral suite “The Planets”, op. 32, composed between 1914 and 1916, can also be understood as general explorations of human traits.

For the second installment in his Mahler cycle for harmonia mundi, Daniel Harding revisits a symphony which clearly represents a turning point in the composer’s output. The years following Mahler’s early period (marked by Des Knaben Wunderhorn) saw the production of works of ever greater complexity and sardonicism, which show no trace of naïveté. Within a framework of utmost intricacy, the themes, musical gestures, and building blocks (for instance, the interval of a minor third which opens the Fifth Symphony’s famous Adagietto) trace a journey from darkness to light which culminates in the striking modernity of the finale.

For this 2013 release from Ondine, violinist Christian Tetzlaff, conductor Daniel Harding, and the Swedish Radio Symphony Orchestra present three exciting works by Jörg Widmann, a German composer who possesses an impressive talent for orchestration. The Violin Concerto is the most imposing piece on the program, at nearly a half hour in duration and of an exceptionally wide range of techniques and sonorities, and it serves as a powerfully expressive vehicle for Tetzlaff. Long lines predominate, and the tonal inflections of the chromatic writing make it quite accessible to listeners who don't normally listen to contemporary works.

Hyperion is delighted to present the world’s best-loved cello concerto performed by one of the world’s best-loved cellists: national treasure Steven Isserlis. Isserlis has waited 40 years to record this pinnacle of the repertoire, and here with his regular collaborators, the Mahler Chamber Orchestra and Daniel Harding, this long gestation has proved to be overwhelmingly fruitful. Isserlis writes of the concerto that ‘the power of its emotional journey, expressed with Dvorák’s characteristically folk-like simplicity and directness, offers an irresistible mix of the epic and the touchingly confessional’. The combination of emotional power and simplicity is also a feature of Isserlis’s playing, and part of what makes him such a consummate performer of this work.

Following the critical success of Ray Chen's solo album, Virtuoso, for which he received the prestigious 2011 German Echo Klassik Award, his new album, Tchaikovsky and Mendelssohn Violin Concertos, is the young violinist's first concerto recording on the Sony Classical label. This release combines the Tchaikovsky and Mendelssohn concertos, both of which have played a significant role in Ray's career so far. His superb performance of these works led to his triumph at two major violin competitions in 2008 he won the Yehudi Menuhin Competition performing the Mendelssohn Concerto, followed by the first prize in the prestigious Queen Elisabeth Competition in Brussels a year later with the Tchaikovsky Concerto.