David+bowie

David Bowie was not a" rock legend " like the others. Going through decades and fashions like this has always given Bowie the status of an innovator, a singular artist who manages to perpetually reinvent himself, to challenge himself as well… Whether glam, new wave, funk or soul, disco or electro, David Bowie has embraced all genres; sometimes even one step ahead. From Major Tom to Ziggy Stardust, from Aladdin Sane to Thin White Duke, he invented and reinvented himself, metamorphosed and showed off his body turned show. Body he made travel to the four corners of the world, from London to New York through Berlin. A geographical, physical, intellectual, dense and quite fascinating route that has made David Bowie an icon of the world of modern culture and a pioneer of pop. An icon playing on an assumed androgyny for, not to say claimed.

The second of two inessential double live albums David Bowie released in the '70s, 1978's Stage is a different beast than its 1974 predecessor, David Live.

One of a few big names to come to Santiago for Rock in Chile (Bryan Adams, Eric Clapton, and Mick Taylor being the others), most of David Bowie's setlist from the first evening was broadcast on national television - although with a slightly dodgy mix, and a VHS tape that hadn't been stored in the best conditions for seventeen years after the show. Good setlist, and you get to see plenty of Bowie being a theatrical and magnetising performer.

Parlophone Records are proud to announce David Bowie - Who Can I Be Now?, the second in a series of box sets spanning his career from 1969. The box set features all of the material officially released by Bowie during the so-called American phase of his career from 1974 to 1976. The boxed set, which is named after a track recorded in 1974 but not officially released until the 1990s, includes a huge set of studio recordings of some of David Bowie's most memorable tracks.

David Bowie One of the greatest stars of the rock & roll era, David Bowie evaded easy categorization throughout his career, operating as the artiest rocker within the mainstream and the most accessible musician on the fringe. Bowie may have trafficked in ideas cultivated in the underground, but he was never quite an outsider as far as rock & roll was concerned. From the outset of his career in the 1960s, he attempted to break into the Top 40, playing British blues, mod rock & roll, and ornate pop before finally hitting paydirt as a hippie singer/songwriter. "Space Oddity" gave Bowie his breakthrough in the U.K., reaching the Top Ten in the summer of 1969 – the summer of Apollo 11 – and it belatedly performed a similar feat in America, giving him his first Top 20 hit early in 1973. By that point, Bowie had traded his folkie persona for the glam-rock alien Ziggy Stardust, one of the many shifts of sound and image that came to define his career.

"Lodger" is the 13th studio album by English singer-songwriter David Bowie. It was originally released in May, 1979 by RCA Records. The last of the Berlin Trilogy, it was recorded in Switzerland and New York City with collaborator Brian Eno and producer Tony Visconti. Unlike Bowie's previous two albums, Lodger contained no instrumentals and a somewhat more pop-oriented style while experimenting with elements of world music and recording techniques inspired by Eno's Oblique Strategies cards.

Stage is the second live album by English musician David Bowie, recorded on the Isolar II Tour, and released by RCA Records in 1978.

"I'm Only Dancing (The Soul Tour 74)" is a live album by English musician David Bowie. It was recorded on the second half of the Diamond Dogs Tour in 1974, which is known as "the Soul Tour" due to the influence of the then-unreleased material Bowie had begun recording for Young Americans (1975). I'm Only Dancing marks the first time performances from this portion of the tour have been officially released.

An unreleased David Bowie concert recording from 1995 will debut on streaming services July 3rd with the release of Ouvrez Le Chien (Live Dallas 95).The live LP — recorded at Dallas’ Starplex Amphitheater on October 13th, 1995 — captures the late icon midway through his tour in support of 1995’s Outside. The gig’s set list leans heavily on that Brian Eno co-produced album, with tracks like “The Voyeur of Utter Destruction (as Beauty),” “I Have Not Been to Oxford Town,” “I’m Deranged,” and “The Hearts Filthy Lesson.”The concert also finds Bowie delivering updated takes on classics like “Teenage Wildlife,” “The Man Who Sold the World,” and “Andy Warhol.” The digital album features a front cover image photographed by Bowie’s wife Iman.