For his second proper solo effort, the former Japan front man delves deeper into the experimental rock, tape loops, and soothing atmospherics he would perfect on Secrets of the Beehive. The first side of this haunting and moody double album features Robert Fripp and some of his former bandmates helping out, while the second is exclusively instrumentals recorded alone. For the uninitiated, Sylvian is a fearless and stylish artist with few peers and one whose wanderlust is as challenging as it is beautiful to behold.
David Sylvian's Manafon (2009) appeared as a collection of disciplined art songs that relied on his collaborators to inform not only their textures, but their forms. Those players - Jan Bang, Evan Parker, John Tilbury, Dai Fujikura, Erik HonorĂ©, Otoma Yoshide, and Christian Fennesz among them - created airy, often gently dissonant structures for Sylvian's lyrics and melodic ideas. Died in the Wool (Manafon Variations) re-employs these players (with some new ones) in the considerable reworking of five of Manafon's compositions. There are also six new songs that include unused outtakes, and two poems by Emily Dickinson set to music and sung by Sylvian. The new music here relies heavily on Sylvian's association with Fujikura: he composed, arranged, and conducted chamber strings that are prevalent…
Narrated by Robert Powell this work was released by Virgin Records in 1975. Great album sleeve with a noteworthy credit being Mike Oldfield assisting on guitars. The album itself comprises of two parts, Rime Of The Ancient Mariner 1 & 2. Oldfield's association with David Bedford went back to The Kevin Ayers and the Whole World band. While Oldfield was flexing his creative muscle and getting frustrated within the confines of that band he confided more and more with David Bedford and struck up a strong rapport with the keyboard player that lasted long after 1975.
Film director Alfonso CuarĂ³n's dystopian science fiction thriller Children of Men is about a near future in which human fertility has nearly ceased, and to represent a setting that is familiar yet disturbing, the compilers of this various-artists soundtrack (there is also an album of the score) have chosen some rock and pop songs by well-known artists dating back to the '60s, some of them, however, presented in versions not so well known. Everybody knows the heavy metal band Deep Purple, but the band's initial American hit, a cover of Joe South's "Hush," doesn't sound much like its more successful "Smoke on the Water" phase. The Beatles' "Tomorrow Never Knows" and the Rolling Stones' "Ruby Tuesday" are iconic '60s songs, but they are here performed by Junior Parker and heavily accented Italian singer Franco Battiato, respectively.