'As Daylight Fades' was recorded at one of Jadis' now legendary outdoor gigs in the New Forest, Hampshire, in 1996, two years prior to it's official release. Chronologically, it was recorded after the completion of the first two studio albums, but also after the departure of both Orford and Jowitt, who left to concentrate on the time consuming production of IQs 'Magnum Opus', 'Subterranea', (although Martin 'Iffy' Orford does make a guest appearance toward the end of the show, to play flute on 'More Than Meets The Eye').
This new recording is like an insert between the books of madrigals that mark the course of Rinaldo Alessandrini’s discography, in his long-term progress towards a complete recorded edition. Daylight is a continuation of Night, which appeared on the occasion of the 350th Anniversary of the composer’s birth. Not only do we have the same thematic, non- chronological concept - a sort of ‘Best Of’ Monteverdi’s nine books of madrigals and opera arias, augmented by instrumental pieces by Falconieri and Marini - but it also has its own discrete dramaturgy, from dawn to the full sunlight of day, a scenario conceived by the Italian conductor and harpsichordist.
Austin-to-L.A. transplants the Textones were one of the few post-new wave "roots rock" bands of the mid-'80s to deserve the appellation. (Unfortunately, they're mostly remembered, if at all, only as the band Kathy Valentine left to join the Go-Go's.) Unlike the terribly overrated Lone Justice or the beer salesmen in the Long Ryders or the Del Fuegos, Carla Olson and company came off like a punkier version of the Gram Parsons-era Byrds, with a poppy edge on unexpected covers like the Searchers' "Silver" and Neil Sedaka's "Keep a Walkin'."
The new decade dawns with a message of love and hope from Balearic envoy Phil Mison and his fourth LP under the Cantoma moniker. Joined by old friends and new acquaintances, Señor Misono draws on a lifetime of record collecting, selection and songwriting to pack 'Into Daylight' with the essence of the Balearic movement, from the Café del Mar and beyond. The album features guests Quinn Lamont Luke, Hush Forever, Suad Khalifa, Apres Midi, David Philips and Luna Asteri and was recorded between London and Barcelona.