Der Spiegel 9 14

The browser noticing this disc might be forgiven for thinking that the current trend toward recording obscure works of the classical period had gone too far. Not only does it present a work by Franz Xaver Süssmayr, otherwise known almost exclusively as the man who completed Mozart's Requiem under sleazy circumstances after the composer's death – it also offers that work in an arrangement for winds by an even more obscure composer, Johann Nepomuk Wendt. But give it a spin (or a click): it's not without interest for those with a deep interest in Mozart, especially in the opera The Magic Flute. Süssmayr's opera Der Spiegel von Arkadien (The Mirror of Arcadia) was his biggest success during his own lifetime.

Following on from their critically acclaimed albums of Stravinsky, Elgar and Tchaikovsky, the award winning team of Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra turn to Zemlinsky and Schreker. Premiered in 1905, Zemlinsky's Die Seejungfrau (after Hans Christian Andersen) was almost ignored by the reviewers. Considered too conservative for the progressives, and too progressive for the conservatives, Zemlinsky struggled to overcome the negative reviews of this masterpiece and withdrew it in the immediate aftermath of the premiere. Vasily Petrenko for this recording uses the original version of the score which restores the "bei der Meerhexe" episode to the 2nd movement. One of the most progressive of the Viennese composers of this period, Schreker's dance pantomime Der Guburtstag der Infantine (story by Oscar Wilde) was given it's premiere in 1908 and was his first big success.

Detlev Glanert (b. 1960) is a contemporary German composer who found early success with his opera Der Spiegel des großen Kaisers (‘The Big Emperor’s Mirror’), which won the Rolf Liebermann Opera Award in 1995. His newest stage work, Oceane, was premiered on April 28, 2019 at the Deutsche Oper Berlin. It enthused both the audience and critics and was hailed as “one of the most exciting new operas of recent times” by the Berlin newspaper Der Tagesspiegel. Glanert and the writer Hans- Ulrich Treichel conceived the libretto loosely according to Theodor Fontane's fragment Oceane von Parceval. It tells the story of Oceane, a mystical female creature of the sea, that comes to land in search of the ability to feel emotions.

In this extensive 50-disc set, Brilliant Classics presents 500 years of organ music. The pieces presented here offer a survey of diversity, value, and historical importance. The first portion of the set is devoted to pieces from the early period. Groundbreaking organ composers such as Cavazzoni and De Macque, who developed the capriccio and canzon forms and composed complex counterparts to the periods vocal music, are featured here. The Baroque and Classical eras are represented in this set by the likes of powerhouse composers Mozart, J.S. Bach, C.P.E. Bach, Handel, Telemann, and Haydn.

With "Nemesis - The Best Of & Reworked", Blutengel are not only releasing their first official Greatest-Hits-Album, but also a rather special kind of history lesson, presenting classic songs, hits and favorites from the past in the sound of today…