In August 1986 two pairs of young sisters (Claudia and Livia Caffagni, Elisabetta and Ella de Mircovich) founded the ensemble La Reverdie. The name, derived from a poetic genre that celebrates the return of Spring, reveals perhaps the principal trait of a group that, for 30 years now, has captivated audiences and critics alike for the variety in its approach to the vast and varied musical repertoire of Middle Ages and early Renaissance. To mark this anniversary, Arcana brings together in a single 5-CD box-set all the themed projects that, over the years, La Reverdie has devoted to various aspects of Medieval culture.
Meeting between heaven and earth, between a singular woman, mystic, scientist, musician, living in the Rhineland at the beginning of the first crusade, and a contemporary Lebanese composer. Where the music and poems of the abbess of the twelfth century, famous for its ecstatic visions, rises to melt in that of Moultaka to a gradual descent into hell. Between archaism and modernity, Gregorian and old modes, the sound universe, by the games of echoes and resonances, takes on a strange modernity and questions our contemporary world, its blackness, its violence, its fragility. All of Caelis, directed by Laurence Brisset, has specialized in the ancient repertoire and has been opening its programs for today's composers for several years.
Of the early stars of MPB (música popular brasileira), Chico Buarque was one of the first to become a certifiable pop star. With his warm, nasally croon, elegant phrasing, and considerable skill at lyric writing, Buarque (who is handsome to boot) became extremely popular with women, who loved his understated sensuality. However, Buarque was uncomfortable playing the role of pop star, preferring to be seen as a serious artist. Throughout his career, he's managed to have the best of both worlds, but not without some significant bumps along the way. Still, he remains a towering figure in Brazilian pop music, one of the country's greatest singer/songwriters and interpreters of the samba.