The first album of Robin's "lost" period. Robin is clearly searching here, looking for something different…
When people use the term "singer/songwriter" (often modified by the word "sensitive") in praise or in criticism, they're thinking of James Taylor. In the early '70s, when he appeared with his introspective songs, acoustic guitar, and calm, understated singing style, he mirrored a generation's emotional exhaustion after tumultuous times. Just as Bing Crosby's reassuring voice brought the country out of the Depression and through World War II, Taylor's eased the transition from '60s activism and its attendant frustrations into the less political, more inward-looking '70s.
Although it didn't enjoy the major label hype that his current output does, Walker's HighTone encore just may be his finest album of all, filled with soulful vocal performances, bone-cutting guitar work, and tight backing from the Boss Talkers and the Memphis Horns. Honestly, you can't go wrong with any of Walker's remarkably consistent HighTone discs – but give this one the slightest of edges over the rest.
On the back of an enormous publicity campaign, Frankie Goes to Hollywood dominated British music in 1984. Frankie's dance-pop borrowed heavily from the then-current Hi-NRG movement, adding a slick pop sensibility and production. What really distinguished the group was not their music, but their marketing campaign. With a series of slogans, T-shirts, and homoerotic videos, the band caused enormous controversy in England and managed to create some sensations in the United States.
Omar Dykes tears it up big-time on this marvelous live outing. Pulling tunes largely from his then-current Hard Times in the Land of Plenty album, Dykes and his band deliver the goods with loads of panache and attitude for a hometown crowd hanging on every note. Dykes' voice is poised somewhere between Howlin' Wolf and Bob Seger, while his guitar style is a Texas version of John Fogerty's work with Creedence, but the sound he produces out of all this is totally unique. The disc is loaded with solid Dykes originals like "Mississippi Hoo Doo Man," "Same Old Grind," "Hard Times in the Land of Plenty," and a wild encore performance of Jerry McCain's "Rock'n'Roll Ball." One great little package.