Dmitri

A decade after its debut performance of the Chamber Symphony Op. 110a by Dmitri Shostakovich (after whom the group is named), The Dmitri Ensemble under Graham Ross performs the composer's String Quartets Nos. 1, 8 and 10, re-worked as thrilling "Chamber Symphonies" for string orchestra by his pupil and advocate, Rudolf Barshai.

Dmitry Shostakovich’s Symphonies are arguably the most impressive symphonic cycle of the 20th century – certainly, if you don’t count Gustav Mahler. The depth and variety of these 15 Symphonies, so closely tied to Shostakovich’s personality and the times he lived in, make it particularly rewarding to listen to different interpretations. Dmitrij Kitajenko’s survey, recorded between 2002 and 2004, has found its place among the great cycles, both for its artistic merits and its reference sonics, the wide dynamic range and the impassioned playing of the Gürzenich Orchestra Cologne that the native Leningrad native Dmitrij Kitajenko obtains from his musicians. 2025 marks the 50th anniversary of the composer’s death.

This release is the fruit of the French pianist Nicolas Stavy’s efforts to uncover unknown works by Dmitri Shostakovich. Spanning some fifty years of the composer’s career, these rarities include early piano pieces influenced by Chopin and the fragment of an unfinished violin sonata, but is bookended by arrangements of symphonic music, by Shostakovich himself and by Mahler, a constant influence.

John Storgårds’s acclaimed series of Shostakovich symphonies continues with this recording of Symphony No. 13. The BBC Philharmonic is joined by the bass-baritone Albert Dohmen and the Estonian National Male Choir. The symphony, subtitled ‘Babiy Yar’, caused a great deal of tension and controversy in the lead-up to its première, in December 1962 – not because of the music, but the poetry. Shostakovich had chosen to set Yevgeny Yevtushenko’s Babiy Yar. Ostensibly an outraged response to the lack of a memorial for the thousands of Jews murdered by the Nazis and dumped in a ravine near Kyiv, the poem implicitly criticised the anti-Semitism then still rife in the Soviet Union.

John Storgårds and the BBC Philharmonic continue their survey of Shostakovichis late symphonies with this recoding of the 14th, with Elizabeth Atherton and Peter Rose as soloists. Completed in the spring of 1969, and premiered later that year, the symphony is written for soprano, bass and small string orchestra with percussion, setting eleven linked setting of poems by four authors.

Dmitry Shostakovich’s Symphonies are arguably the most impressive symphonic cycle of the 20th century – certainly, if you don’t count Gustav Mahler. The depth and variety of these 15 Symphonies, so closely tied to Shostakovich’s personality and the times he lived in, make it particularly rewarding to listen to different interpretations. Dmitrij Kitajenko’s survey, recorded between 2002 and 2004, has found its place among the great cycles, both for its artistic merits and its reference sonics, the wide dynamic range and the impassioned playing of the Gürzenich Orchestra Cologne that the native Leningrad native Dmitrij Kitajenko obtains from his musicians. 2025 marks the 50th anniversary of the composer’s death.

Dmitri Kitayenko directed various orchestras in Moscow before becoming chief conductor of the Moscow Philharmonic in 1976 and subsequently conductor of the Symphony Orchestra of the Hessischer Rundfunk in Frankfurt am Main, from 1990 to 1996. He went on to hold principal positions with the Bergen Philharmonic Orchestra, the Bern Symphony Orchestra, the KBS Symphony Orchestra in Seoul and finally, in addition to his worldwide activities as a guest conductor, was appointed honorary conductor of the Gürzenich Orchestra in Cologne.