Dmitri

Shostakovich started writing string quartets when he was already a mature composer. Of his 15 quartets, all but the first and last were premiered by the Beethoven Quartet. Originally founded in 1923 under the name ''The Moscow Conservatory Quartet'', they changed its name in 1931 to “The Beethoven Quartet”, shortly before they were named ''Merited Ensemble of the USSR.'' The original members were Dimitry Tsyganov (1903-1992), Vassily Shirinsky (1901-1965) - violins. Vadim Borisovsky (1900-1972) - viola and Sergei Shirinsky (1905-1974) - cello. They have been together as a quartet for 42 years (!) Shostakovich held the group in the highest esteem, declaring, ''it has played a most significant role in the flourishing of our chamber music.

With their recording of Dmitri Shostakovich’s complete string quartets, the Quatuor Danel has crafted an impressive opus that delves into the composer’s life with deep musical understanding and establishes unparalleled standards in interpreting his chamber music. These new live recordings, stemming from their 2022 residency at the Mendelssohn Hall of the Gewandhaus Leipzig, capture the full spectrum of emotions embedded in Shostakovich’s quartet cycle, from the ethereal to the profound, from the whimsical to the contemplative.

With their recording of Dmitri Shostakovich’s complete string quartets, the Quatuor Danel has crafted an impressive opus that delves into the composer’s life with deep musical understanding and establishes unparalleled standards in interpreting his chamber music. These new live recordings, stemming from their 2022 residency at the Mendelssohn Hall of the Gewandhaus Leipzig, capture the full spectrum of emotions embedded in Shostakovich’s quartet cycle, from the ethereal to the profound, from the whimsical to the contemplative.

Giuseppe Verdi may have written his most glamorous and heroic roles for tenors, but he often assigned his more psychologically complex and conflicted character portrayals to baritones- and Rigoletto is just such a role: perhaps the greatest baritone role ever written. It demands not only a magnificent voice, but also a supremely gifted actor who is able to convey a broad range of emotions, human qualities, and inner subtleties. Enter universally beloved Dmitri Hvorostovsky: a prolific Delos artist and supreme Verdi baritone. The resplendent beauty and incomparable versatility of his voice is matched only by the depth of his interpretive soul. In this- Dmitri’s first ever (and long-awaited) complete recording of Rigoletto- he performs the title role magnificently, along with an all-star supporting cast. Choral-orchestral splendor comes courtesy of renowned maestro Constantine Orbelian, his Kaunas City Symphony Orchestra, and the men of the Kaunas State Choir.

Recordings such as this superb one serve to remind us that though we may think we know the output of the major composers, there are still treasures to be discovered. Works for individual instruments find their way into recital programs but often lie in shadow of the 'big works' for the concert.

This release is the fruit of the French pianist Nicolas Stavy’s efforts to uncover unknown works by Dmitri Shostakovich. Spanning some fifty years of the composer’s career, these rarities include early piano pieces influenced by Chopin and the fragment of an unfinished violin sonata, but is bookended by arrangements of symphonic music, by Shostakovich himself and by Mahler, a constant influence.

This 2 CD set of Shostakovich's Ballet Suites and film music is a treasure. If you have yet to hear the Ballet Suites, do give this a listen. This is Shostakovich at his most genial and witty. Much credit must be given to the man who compiled and arranged these suites: Levon Atovmyan. Atovmyan is the man responsible for not only arranging these ballet Suites. He also arranged most of Shostakovich's film scores into concert suites. As much as I love Shostakovich's original work, these Atovmyan arrangements are even better. Much of the material used in the Ballet Suites was salvaged from one of Shostakovich's most unipsired works, the ballet The Limpid Stream.

Dmitri Shostakovich is best known for his symphonies and string quartets, which paint him as a very serious composer, indeed. But he was also one of the most prolific film composers of the 20th century, with almost 40 films for which he wrote the music and which span virtually his entire professional career. It’s a fascinating panoply that shows Shostakovich from several different perpectives as he adapted to the changing shape and policies of the Soviet state. Shostakovich never took composing lightly and the musical merits of the frequently overlooked film scores are always impeccable. 2025 marks the 50th anniversary of the composer's death. This box set is a physical release only.

This is the third volume in Chandos’ ongoing series of Shostakovich film music, which has been receiving a great deal of attention on disc. All of this music has appeared in competing versions, some of them just as good as this, but none actually superior in any meaningful way. The playing is uniformly committed and atmospheric (great ghost music in Hamlet), and the frequent military bits come off excitingly without becoming obnoxiously strident.

The main item in this second volume of Shostakovich film music on Chandos is the popular Suite from The Gadfly, whose “Romance” became an instant hit as the theme from the British TV series Reilly: Ace of Spies (it was well known in Russia long before). This newcomer is certainly exciting and full of contrast and color, with a very dreamy “Romance” and a much brasher treatment of such extravert segments as the “Folk Festival” than we hear on Chailly’s suavely polished Decca recording (to cite the most noteworthy among the competition). The result is arguably more “Russian” in feel, though I wouldn’t give up the playing of the Concertgebouw for any amount of money.