Released in 1992, Hollywood Town Hall wasn't a hit, but it received enough rave reviews to considerably raise the Jayhawks' profile, and it certainly heightened expectations for their next album. On 1995's Tomorrow the Green Grass, the Jayhawks found themselves in the tricky situation of trying to match the quality of Hollywood Town Hall without simply repeating themselves, and they came remarkably close to achieving that daunting task.
Which Chuck E. Weiss do we talk about here? The one who so impressed blues legends Lightnin Hopkins and Willie Dixon as a Denver teenager that they took him out in their road bands? The one who lived in LA's Tropicana Hotel in the 70s alongside Tom Waits and Rickie Lee Jones, ending up namechecked on the classic Waits albums Small Change and Nighthawks at the Diner, and in Rickie Lee Jones hit "Chuck E.'s in Love"? The one who has recorded with Tom Waits, Muddy Waters, Howlin Wolf, Roger Miller, Dr. John, Willie Dixon? Whichever Chuck E. Weiss you choose, he's a legend, and his 2014 album, Red Beans and Weiss, delivers on the big personality. Executive produced by Johnny Depp and Tom Waits, Red Beans and Weiss blends blues, barrelhouse, and bluster into a highly entertaining whole.
A few years after an underappreciated solo album, former Lone Justice leader Maria McKee returns with You Gotta Sin to Get Saved, her best album yet. With Black Crowes and Jayhawks producer George Drakoulias at the helm, You Gotta Sin to Get Saved evokes the country-rock vibe of the early '70s (much like the aforementioned groups) without sounding like a studied replica. McKee sings a dynamic mix of originals and covers with genuine conviction, making You Gotta Sin to Get Saved an album that demands repeated plays.