Drama

The Drama League, a program about one of the nation's great champions of theater and performing arts. Recently celebrating its 100th anniversary, The Drama League develops dozens of new plays and musicals a year, and provides training, workshops, professional development and global exchange programs for emerging theater artists.

The great Japanese filmmaker Yasujiro Ozu is best known for the stately, meditative domestic dramas he made after World War II. But during his first decade at Shochiku studios, where he dabbled in many genres, he put out a trio of precisely rendered, magnificently shot and edited silent crime films about the hopes, dreams, and loves of small-time crooks. Heavily influenced in narrative and visual style by the American films that Ozu adored, these movies are revelatory early examples of his cinematic genius, accompanied here by new piano scores by Neil Brand.

The colossally popular Zatoichi films make up the longest-running action series in Japanese history and created one of the screen’s great heroes: an itinerant blind masseur who also happens to be a lightning-fast swordsman. As this iconic figure, the charismatic and earthy Shintaro Katsu became an instant superstar, lending a larger-than-life presence to the thrilling adventures of a man who lives staunchly by a code of honor and delivers justice in every town and village he enters. The films that feature him are variously pulse-pounding, hilarious, stirring, and completely off-the-wall. This deluxe set features the string of twenty-five Zatoichi films made between 1962 and 1973, collected in one package for the first time.

Drama-documentary recreating the life and loves of three French Kings: Louis XIV, XV and XVI and the Palace of Versailles.

How Eddie Braben transformed Morecambe and Wise into the nation's most beloved entertainers.

The empathetic, hard-hitting tales told in Die Verrufenene (Der fünfte Stand) (a.k.a. The Slums of Berlin) and Die Unehelichen (a.k.a. Children of No Importance) deal with Germany's disenfranchised in a realistic, gritty manner while still adhering to the melodramatic conventions of the day. Although Lamprect enjoyed a long and varied career behind the camera, he was most active as a passionate movie collector and champion of film preservation. The liner notes accompanying this set make it clear that it's hard to apply the auteur theory to someone like Lamprecht, but these particular films demonstrate handily that the director had a keen interest in the medium. As message pictures, they tend towards the preachy and sentimental, and yet there's also a "try something and see if it works" mentality at play here that makes them of great interest to silent fans.