Turrentine with Kenny Drew, Jr. (keyboards), Dave Strykier (guitar), Dwayne Dolphin (bass), and Mark Johnson (drums).
Stanley Turrentine was a 'monster' tenor player with a fantastic sound, a magnificent technique and a great jazz feel. On this album he is backed by a superb rhythm, that matches the mood both of the piece and of Turrentine perfectly. Whether it’s the gentle ballad style of "I Haven’t Got Anything Better to Do" or the funky "Don’t Mess with Mr. T.", they get it just right.
A Zurich, Switzerland, native, composer, flutist, and saxophonist Daniel Schnyder is as comfortable and gifted with classical chamber music as with avant-garde jazz, easily crossing between both significant genres of music. He originally studied flute in his homeland at the Conservatory of Winterthur. After moving to the United States, he switched to the Berklee College of Music in Boston and began to study jazz arranging, composition, and the saxophone. He has worked with Lew Soloff, Lee Konitz, Abdullah Ibrahim, Milwaukee Symphony Orchestra, and many others over the years.
A Zurich, Switzerland, native, composer, flutist, and saxophonist Daniel Schnyder is as comfortable and gifted with classical chamber music as with avant-garde jazz, easily crossing between both significant genres of music. He originally studied flute in his homeland at the Conservatory of Winterthur. After moving to the United States, he switched to the Berklee College of Music in Boston and began to study jazz arranging, composition, and the saxophone. He has worked with Lew Soloff, Lee Konitz, Abdullah Ibrahim, Milwaukee Symphony Orchestra, and many others over the years.
Daniel Schnyder is known as a composer/performer with a dynamic reputation in both jazz and classical fields. He recorded over ten CDs of his own music for Enja Records, Col Legno, Koch Jazz, CCnc, Universal, BIS, TCB, Arabesque and Red Records. As a performer Daniel toured and recorded with many well-known classical musicians, world music artists and jazz players.
A Zurich, Switzerland, native, composer, flutist, and saxophonist Daniel Schnyder is as comfortable and gifted with classical chamber music as with avant-garde jazz, easily crossing between both significant genres of music. He originally studied flute in his homeland at the Conservatory of Winterthur. After moving to the United States, he switched to the Berklee College of Music in Boston and began to study jazz arranging, composition, and the saxophone. He has worked with Lew Soloff, Lee Konitz, Abdullah Ibrahim, Milwaukee Symphony Orchestra, and many others over the years.
A Zurich, Switzerland, native, composer, flutist, and saxophonist Daniel Schnyder is as comfortable and gifted with classical chamber music as with avant-garde jazz, easily crossing between both significant genres of music. He originally studied flute in his homeland at the Conservatory of Winterthur. After moving to the United States, he switched to the Berklee College of Music in Boston and began to study jazz arranging, composition, and the saxophone. He has worked with Lew Soloff, Lee Konitz, Abdullah Ibrahim, Milwaukee Symphony Orchestra, and many others over the years.
When many of the bop-based Young Lions who emerged in the '90s made it known that they were only interested in playing in the tradition and that they had no interest in avant-garde experiments, Jack Walrath insisted that he was playing out of the tradition and didn't shy away from an inside/outside approach. Walrath isn't as radical as Lester Bowie, but he certainly isn't as conservative as Wynton Marsalis, either. One of the many impressive albums he provided in the '90s, Journey, Man! finds the trumpeter leading a band he called Hard Corps and employs a cast of players you'd expect to find on a hard bop date, including Bobby Watson (alto sax), Craig Handy (tenor and soprano sax), Kenny Drew, Jr. (piano), Ray Drummond (bass), and Victor Lewis (drums)…