Dsd

The Pentagon - The Pentagon (1976) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9196}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 206 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (png) -> 142 Mb | 5% repair rar | DSD Mastering
© 1976, 2015 East Wind Music / Universal Japan | UCCJ-9196
Jazz / Hard Bop / Piano

Reissue with the latest DSD remastering. A really wonderful album that's sometimes overlooked because of it's relatively oblique cover and name – which both hide the wonderful talents within! In truth, the set might be billed as a Cedar Walton session – or maybe almost an Eastern Rebellion one – as the vibe here is very similar to that later group, with a strong tenorist working alongside Walton's trio, plus a bit of extra Latin percussion. Clifford Jordan delivers wonderful tenor throughout – and the core sound of Walton on piano, Sam Jones on bass, and Billy Higgins on drums is as great as on any of that group's other wonderful albums of the time. Add in Ray Mantilla – who throws in some congas to complicate the grooves a all the best moments – and you've got some mighty nice icing on the cake! Titles include "He Is A Hero", "Una Mas", "Manteca", and "DB Blues".

Miles Davis - 'Four' & More, Recorded Live In Concert (1964) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1212}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 348 Mb | MP3 @320 -> 132 Mb
Full Artwork @ 600 dpi (png) -> 142 Mb | 5% repair rar
© 1964, 2006 Sony Music Japan / Columbia | SICP 1212 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax!

Miles Davis - On the Corner (1972) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1227}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 385 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 600 dpi (png) -> 313 Mb | 5% repair rar
© 1972, 2006 Sony Music Japan / Columbia | SICP 1227 | DSD | HQD High Quality Disc
Jazz / Jazz Funk / Jazz Rock / Trumpet

Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner? Before the trumpet even enters the picture, the story has been broken off somewhere in the middle, with deep street music melding with a secret language held within the band and those who can actually hear this music – certainly not the majority of Miles' fan base built up over the past 25 years. They heard this as a huge "f*ck you." Miles just shrugged and told them it wasn't personal, but they could take it that way if they wanted to, and he blew on his trumpet.

Miles Davis - Sorcerer (1967) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1217}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 255 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 64 Mb | 5% repair rar
© 1967, 2006 Sony Music Japan / Columbia | SICP 1217 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles – this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory.

Miles Davis - Nefertiti (1967) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1218}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 239 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 66 Mb | 5% repair rar
© 1967, 2006 Sony Music Japan / Columbia | SICP 1218 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes – but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes.

Miles Davis - In a Silent Way (1969) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1219}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 230 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 88 Mb | 5% repair rar
© 1969, 2006 Sony Music Japan / Columbia | SICP 1219 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of "In a Silent Way," it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not even a melodic frame. There are only vamps and solos, grooves layered on top of other grooves spiraling toward space but ending in silence.

Miles Davis - Get Up With It (1974) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1228~29}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 803 Mb | MP3 @320 -> 298 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1970-74, 2006 Sony Music Japan / Columbia | SICP 1228~9 | DSD | HQD High Quality Disc
Jazz / Jazz Funk / Jazz Rock / Trumpet

Released in 1974, Get Up With It is a follow-up to Big Fun, which appeared in the same year, offering an overview of the recent period and revealing new directions. The funk genre started with “Honky Tonk” from the Jack Johnson sessions, ran through On The Corner with “Rated X” and “Billy Preston,” and ended up in the groovy structures of “Mtume” where, with the help of the wah-wah pedal, the electrified trumpet abandoned phrasing to work exclusively on timbre and rhythm.

Miles Davis - Bitches Brew (1969) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1220~21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 603 Mb | MP3 @320 -> 228 Mb | Full Artwork | 5% repair rar
© 1969, 2006 Sony Music Japan / Columbia | SICP 1220~21 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were already established while others would become high-profile players later, Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, and Lenny White among them. Originally thought to be a series of long jams locked into grooves around keyboard, bass, or guitar vamps, Bitches Brew is actually a recording that producer Teo Macero assembled from various jams and takes by razor blade, splice to splice, section to section.

Miles Davis - Pangaea (1975) {2CD 2001 Sony Records Master Sound DSD Japan SRCS 9752~3}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 559 Mb | MP3 @320 -> 210 Mb
Full Artwork @ 600 dpi (png) -> 100 Mb | 5% repair rar
© 1975, 2001 Sony Records / Sony Music Japan | SRCS 9752~3 | 1-bit DSD mastering | Mini LP
Jazz / Fusion / Jazz Funk / Jazz Rock / Trumpet

Sony Master Sound Reissue Series (1-bit DSD CDs in Mini-LP sleeves with black OBI strip). Japanese electric Miles, featuring 2 long tracks – "Zimbabwe" and "Gondwana" – spread out over the course of a sweet double live set! The album gives Miles and the group plenty of room to groove and stretch out – hitting notes that are both funky and noisy, often at the same time! Michael Henderson lays down some great bass work on the set, and major solos are by Sonny Fortune, Pete Cosey, and Reggie Lucas! Great stuff – and more proof that Miles in the 70s was a very very deep place!

The Rolling Stones - England's Newest Hit Makers (1964) {Japan Mini LP DSD Remaster 2006, UICY-93013}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 185 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar | DSD | Mastering by Bob Ludwig
© 2006 ABKCO Records / Universal Music Japan | UICY-93013
Rock / Classic Rock / Blues Rock

Encore press release of The Rolling Stones cardboard sleeve reissue series featuring DSD remastering. Part of a 22-album The Rolling Stones cardboard sleeve reissue series featuring the albums "England's Newest Hit Makers," "12 x 5," "The Rolling Stones, Now!" "Out of Our Heads," "Out of Our Heads (UK Version)," "December's Children (And Everybody's)," "Big Hits (High Tide And Green Grass)," "Aftermath," "Aftermath (UK Version)," "Got Live If You Want It!" "Between The Buttons," "Between The Buttons (UK Version)," "Flowers," "Their Satanic Majesties Request," "Beaggars Banquet," "Through The Past, Darkly (Big Hits Vol. 2)," "Let It Bleed," "Get Yer Ya-Ya's Out!" "Hot Rocks 1964-1971," "More Hot Rocks (Big Hits & Fazed Cookies)," "Singles Collection: The London Years," and "Metamporphosis (UK Version)."