Dsd

Sam Jones - Seven Minds (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9140}

Sam Jones - Seven Minds (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9140}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 136 Mb | 5% repair rar | DSD Mastering
© 1974, 2015 East Wind Music / Universal Japan | UCCJ-9140
Jazz / Hard Bop / Post Bop

Reissue with the latest DSD remastering. A strong 70s recording by a group that was mostly known as the Cedar Walton trio – the group of Sam Jones on bass, Walton on piano, and Billy Higgins on drums – recorded only for the Japanese market, and a heck of a record! The set's got one standout feature that sets it apart from some of the other sides by the Walton group at the time – the use of a string quartet on a few of the tracks, which creates some great interplay between the core trio and the augmented strings.
Miles Davis - 'Round About Midnight (1956) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1201}

Miles Davis - 'Round About Midnight (1956) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1201}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 95 Mb | Full Artwork
© 1956, 2006 Sony Music Japan / Columbia | SICP 1201 | DSD | HQD High Quality Disc
Jazz / Cool / Hard Bop / Trumpet

The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Miles Davis - Miles Ahead (1957) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1202}

Miles Davis - Miles Ahead (1957) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1202}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 90 Mb | Full Artwork
© 1957, 2006 Sony Music Japan / Columbia | SICP 1202 | DSD | HQD High Quality Disc
Jazz / Cool / Experimental Big Band / Modern Creative / Trumpet

This album is perhaps most significant for the process it set in motion – the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige).
Miles Davis - Milestones (1958) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1203}

Miles Davis - Milestones (1958) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1203}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 310 Mb | MP3 @320 -> 115 Mb | Full Artwork
© 1958, 2006 Sony Music Japan / Columbia | SICP 1203 | DSD | HQD High Quality Disc
Jazz / Cool / Bop / Hard Bop / Modal Music / Trumpet

What is immedately noticeable upon listening to Miles Davis' classic first – and only – album with his original sextet is how deep the blues presence is on it. Though it's true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackle," recorded in 1955 for a Prestige session with Jackie McLean.
Don Friedman - Hope For Tomorrow (1975) {2015 DSD Japan East Wind Masters Collection 1000}

Don Friedman - Hope For Tomorrow (1975) {2015 DSD Japan East Wind Masters Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 199 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 149 Mb | 5% repair rar | DSD Mastering
© 2015 East Wind Music / Universal Japan | UCCJ-9156
Jazz / Post Bop / Modern Post Bebop / Soul Jazz / Piano

Reissue with the latest DSD remastering. A tremendous little album from pianist Don Friedman – a trio session, but one that's cut with a mixture of Fender Rhodes and electric bass, which gives the album a majestically soulful groove! Friedman's never sounded better, and the record is easily one of his best – with a sound that matches the best CTI sides of the time, colored by the freedoms of the Japanese recording scene of the 70s – territory that Don never hit this strongly again, and which makes the record a really unique outing, quite diferent than both his early work and later sides. The group features Lyn Christie on bass and Bill Goodwin on drums – and titles include "Paula's Wish", "Canvas On My Mind", "Lullaby For Lynne", "Hope For Tomorrow", and "A Place Within".
Andrew Hill - Hommage (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9147}

Andrew Hill - Hommage (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9147}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 151 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 133 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9147
Jazz / Post Bop / Modern Creative / Piano

Reissue with the latest DSD remastering. An obscure set of solo tunes from modernist Andrew Hill – originally recorded for the Japanese East West label in 1975, and a very different side of Andrew's music than his Blue Note work of the 60s – but one that's equally great!. Hill's playing a grand piano – with a complex approach to chords that's really compelling – this sense of flow and majesty that we really love, as Andrew tries out some sharp edges at points – but still retains some of that soulfulness he rediscovered as the 70s approached. There's a darkness to the material that we didn't always hear in Hill's other sides – and the intimacy of the recording shows that his talents are still extremely rich at this point in his career. Titles include "Naked Spirit", "Rambling", "Vision", "Clayton Gone", and "Insanity Riff".
Dollar Brand - African Breeze (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9132}

Dollar Brand - African Breeze (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9132}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 220 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 141 Mb | 5% repair rar | DSD Mastering
© 1974, 2015 East Wind Music / Universal Japan | UCCJ-9132
Jazz / Post Bop / International Jazz / Piano

Reissue with the latest DSD remastering. Dollar Brand playing solo – but with a vibrancy that hardly makes you miss the other instruments at all! Most of the record features solo piano, but there's also a bit of bamboo flute as well – leading off the set and establishing this great organic vibe to the whole thing, which is then followed by Brand's long-spun, completely hypnotic lines on piano! The recording quality is wonderful – very clear and strong, and quite resonant too – and the set features two side-long long suites – "Africa" and "Reflection" – with shorter passages that move through the warm range of moods you'd find in Brand's other strong work from the time. Titles include "Ancient Africa", "Msunduza", "Single Petal Of A Rose", and "African Sun".
Masahiko Togashi - Song For Myself (1974) {2015 DSD Japan East Wind Masters Collection 1000 Series UCCJ-9136}

Masahiko Togashi - Song For Myself (1974) {2015 DSD Japan East Wind Masters Collection 1000 Series UCCJ-9136}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 162 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 194 Mb | 5% repair rar | DSD Mastering
© 1974, 2015 East Wind Music / Universal Japan | UCCJ-9136
Jazz / Avant-Garde Jazz / Chamber Music / Drums

Reissue with the latest DSD remastering. The intimate nature of the title is very apt on this one – as the album features spare duets between drummer Masahiko Togashi and other Japanese musicians – including the great Sadao Watanabe on flute, and either Masahiko Satoh and Masabumi Kikuchi on piano! The sound is open, and sometimes a bit free – but in a way that's very inventive, and never too overpowering – as Togashi finds a way to really keep things grounded, and work in the best collaborative spirit with each musician. A real standout on the East West catalog of the 70s – and titles include "Haze", "Fairy Tale", "Song For Myself", and "Song For My Friends".
Sadao Watanabe with The Great Jazz Trio - I'm Old Fashioned (1976) {2015 DSD Japan East Wind Masters Collection 1000}

Sadao Watanabe with The Great Jazz Trio - I'm Old Fashioned (1976) {2015 DSD Japan East Wind Masters Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 294 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 180 Mb | 5% repair rar | DSD Mastering
© 1976, 2015 East Wind Music / Universal Japan | UCCJ-9167
Jazz / Mainstream Jazz / Neo Bop / Saxophone

Reissue with the latest DSD remastering. This album from 1976 is widely considered as one of the best, if not THE best, four-beat jazz albums by Sadao Watanabe, the legendary Japanese saxophonist. Watanabe went to New York, met with the original Great Jazz Trio – Hank Jones, Ron Carter and Tony Williams – before the super-group became well-known for its superb recordings.
Art Farmer - Yesterday's Thoughts (1975) {2015 DSD Japan East Wind Masters Collection 1000}

Art Farmer - Yesterday's Thoughts (1975) {2015 DSD Japan East Wind Masters Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 156 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9155
Jazz / Bop / Hard Bop / Mainstream Jazz / Flugelhorn

Reissue with the latest DSD remastering. With Art Farmer's phenomenal output of recordings as a leader during his long career, it isn't surprising to run across obscure gems such as this pair of 1975 studio sessions recorded in New York for release in Japan by Eastwind. Joined by frequent collaborator Cedar Walton on piano, as well as bassist Sam Jones and drummer Billy Higgins, the mellow flugelhornist excels on the ballads that make up the majority of the album.