Duke Ellington The Best Of Duke Ellington

Duke Ellington and His Orchestra - The Ellington Suites (1959, 1972) {OJC Remasters Complete Series rel 2013, item 29of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 363 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 600 dpi (png) -> 203 Mb | 5% repair rar | 24-bit remaster
© 1959, 1971-72, 2013 Pablo / Concord | 40th Anniversary of Pablo Records | OJC-34614-02
Jazz / Modern Big Band / Progressive Jazz

Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.

This box set is drawn exclusively from the years 1932 to 1939. You get 75 tracks of prime Ellington from the 30s, including the first recordings of a number of undisputed masterpieces, such as 'Sophisticated Lady', 'Solitude', 'Prelude to a Kiss', 'Clarinet Lament', 'Echoes of Harlem' and 'Diminuendo and Crescendo in Blue', among many more. There are of course other great Ellington recordings from the 30s not represented here - his elegy for his mother, 'Reminiscing in Tempo', for one - for Ellington recorded for a bewildering variety of labels, and these are just the ones currently owned by Sony. There are no sleeve notes, and no listings of the musicians, which is a bit frustrating. But for a 3 disc survey of the period in question, you really can't do better than this.

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and leader of a jazz orchestra from 1923 through the rest of his life…

The defining saxophonist of his generation, Johnny Hodges rose to prominence during the big-band era with what Duke Ellington described as 'a tone so beautiful it sometimes bought tears to the eyes'. Perhaps an understated member of Ellington's big band initially, Hodges' deft tone and seductive style soon affirmed him as one of The Duke's most valuable soloists and a vital player in his orchestra. A subdued yet commanding presence in the big band format, Hodges' assured mastery of the alto-sax and his subtle nuance has left him regarded as one of the very best musicians to have worked alongside Ellington. Hodges' career-defining moment came in 1928 when he joined Duke Ellington's orchestra, and from 1937 he led his own studio group drawn from members of the group, with whom he released tracks co-written with Ellington, including 'Jeep's Blues', 'Hodge Podge' and 'Confab With Rab', each composed to complement Hodges' own seductive style of play.

I can't say enough good things about this music. Consisting of all the known performances Pops and Duke recorded together, this set is a must-own for any music lover. I also recommend this for beginning jazz listeners, as Louis is the most likeable performer in jazz and Duke's songs are some of the most listenable. While the majority of the tunes are Duke pieces, the performances are distinctly Louis. The two greats are supported by members of Louis' Allstars Trummy Young and Barney Brigard who help Satchmo turn this into one of his finest performances. Forget the hype about Pops losing his chops by the time this was recorded (1961) ~ Amazon

This admittedly pricey - but by all means mandatory - Grammy Award-winning box set is the final word on the "songbooks" recorded by Ella Fitzgerald between 1956 and 1964. The audio contents have been completely remastered and each title has been expanded - wherever possible - to include previously unissued material. In terms of packaging, the producers went to extreme lengths to create exact reproductions of all the vintage LP jacket artwork. Even going so far as to precisely miniaturize the entire hardbound text The Gershwins: Words Upon Music that accompanied their 1959 collection as well as the booklet that came with the Ellington anthology…

Though her career stretched from the '30s to the '80s and she's widely considered possibly the greatest female jazz singer or all time, Ella Fitzgerald will probably forever be best known for a mid-'50s collection of albums collectively called the Songbooks, where she devoted entire albums to the works of such composers as Harold Arlen, Cole Porter, and Duke Ellington. THE BEST OF THE SONGBOOKS: THE BALLADS is one of the many compilations based on these recordings, and one of the best. From its beautiful, informative packaging to its gorgeously remastered sound, this 16-track, 64-minute collection treats the material with the respect it deserves. The material, of course, is first-rate, wall-to-wall standards from Johnny Mercer's wistful "Laura" to Ellington's sly "Do Nothin' Til You Hear From Me." Fitzgerald's performances are equally outstanding, as are the mostly big-band arrangements. This is as good as jazz ballad collections get.