Duke Ellington Masters of Jazz

For the second installment of an ambitious five-CD project, undertaken to observe his fiftieth birthday, master bassist Rodney Whitaker convenes a world-class sextet to pay homage to the oeuvre of Duke Ellington. It's a subject that Whitaker came to know intimately during his 9-year tenure with the Lincoln Center Jazz Orchestra, regarding it as his Ph.D in Ellingtonia through performance, deep study, and spirited conversation with Wynton Marsalis and bandmates through those years. With a front line of modern jazz masters - Brian Lynch, Michael Dease and Diego Rivera, the fiery, modern aesthetic of drummer Karriem Riggins, along with pianist Richard Roe and vocals by Rockelle Fortin, Whitaker celebrates the timelessness of Ellington's works by allowing them to live and breathe through the freewheeling, "cutting session" atmosphere he created for the session.

Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. The two aspects of his career were related; Ellington used his band as a musical laboratory for his new compositions and shaped his writing specifically to showcase the talents of his bandmembers, many of whom remained with him for long periods. Ellington also wrote film scores and stage musicals, and several of his instrumental works were adapted into songs that became standards. In addition to touring year in and year out, he recorded extensively, resulting in a gigantic body of work that was still being assessed a quarter century after his death.

This collection of Ellington's Thirties recordings is generous in that it offers 95 selections and meagre in that there is no discographical information at all (no recording dates, no personel, no matrix numbers). The liner notes give some information but leave one pining for more too. There the criticism ends. Audio restoration by Dutchman Harry Coster (who is attached to the Dutch Jazz Archive and has an outstanding reputation for painstaking restoration of old material) is beyond reproach and the recordings never sounded so good before. And of course there is the music itself, which is formidable, both in musical content and in execution by that peerless group of proud individuals that constituted the Duke Ellington orchestra…