Duni

After two highly acclaimed albums with her jazz quartet, Elina Duni issues her most intimate recording to date. The entirely solo Partir features the Tirana-born vocalist, accompanied by her own piano, guitar and frame drum, interpreting songs from very diverse sources. From folk songs and chansons to songs of singer-songwriters. Here we find traditional music from Albania, Kosovo, Armenia, Macedonia, Switzerland and Arab-Andalusia as well as Jacques Brel’s “Je ne sais pas”, Alain Oulman’s “Meu Amor”, Domenico Modugno’s “Amara Terra Mia”, Elina’s own “Let Us Dive In” and more. Duni’s uniquely-expressive voice and pared-down arrangements locate a common thread of longing that runs through the material. Partir was recorded at Studios La Buissone in the South of France in July 2017, and produced by Manfred Eicher.

A Time To Remember is a continuation of the special synergy that inhabited Elina Duni’s acclaimed Lost Ships and finds her regrouping with that album’s quartet of guitarist Rob Luft, Matthieu Michel on flugelhorn and Fred Thomas on percussion and piano. As the title suggests, the notion of ‘time’ pulls through the programme like a theme, connecting music from different parts of the world – traditionals, popular songs and original compositions – in performances of deep lyricism but also fleet-footed folklore. The repertory spans Albanian and Kosovan traditionals, American songs like the Broadway classic “I’ll Be Seeing You” and Stephen Sondheim’s musical ballad “Send In The Clowns” as well as originals by Rob and Elina. Commenting on the group’s last effort, Jazzwise said that “the sum of Duni and Luft’s work together seems greater than their individual achievements, where concept and conceptualisation have combined to produce a classic.” A Time To Remember should confirm that proposition and further expands on the qualities explored previously.

Elina Duni and Rob Luft’s programme of songs of love and exile has been gathering momentum since 2017, when the Albanian-Swiss singer and the British guitarist began their collaboration. Along the way the duo has been augmented by distinguished guests, with Swiss flugelhornist Matthieu Michel and UK pianist/percussionist Fred Thomas here making significant contributions to the overarching concept. The migration crisis, a theme explored on Elina’s Partir album, is again a central issue, so too ecological concerns. Material is drawn from many sources: “There are songs that touch upon past influences, with the sound of Albania and Mediterranean folklore ever-present. We wanted to explore other musical roots, too: timeless jazz ballads, French chanson, American folk song…” The broad range of music addressed runs from traditional pieces to original compositions, via songs made famous by Frank Sinatra and Charles Aznavour…

Many jazz singers who sing in English … I must say that it is the advantage of a quasi-international language … also in the case of'Elina Duni, of Albanian origin who grew up in Switzerland which has its songs in the traditional heritage of the South Eastern Europe …. more than words is the voice and premium musiquette …. a beautiful warm voice whose intonations alone are sufficient to convey emotion.

Les deux chasseurs et la laitière, a oneact opera by Egidio Romualdo Dun, was premiered in Paris by the company of Théâtre de Comédiens Italiens, in July 1763. This work, staged then many times at the Opéra Comique, was soon published and its popularity among European theatres reached its peak between the 1780s and the beginning of 19th century.