Dusty Pieces

Chakachas - Jungle Fever (1971) {Polydor-Dusty Groove DGA3006 rel 2007}
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© 1971, 2007 Polydor / Dusty Groove America / Universal | DGA 3006
Jazz / Latin / Jazz Funk / Groove / Funk

A mad mix of Latin and funky rhythms – a 70s classic from the Belgian group Chakachas! The album's best known for its title hit "Jungle Fever" – an insane cut that features heavy drums, choppy guitar, and a stop/start action that's peppered with sounds of female pleasure! The track was a worldwide hit, and continues to be a funky classic today – thanks to a heavy sample history, and a life in playlists worldwide – but the rest of the album's pretty darn great too, and even weirder. Some tracks mix easy Euro grooving with heavy conga, others have kind of an LA Chicano funk approach, and still others throw in some mad horns to complicate matters with nice jazzy riffing. Really great throughout – and maybe one of the best funky albums to ever come out on a major label!

Stephen Vitiello - Bright and Dusty Things (2001) {New Albion Records NA115CD}
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© 2001 New Albion Records | NA 115 CD
Avant-Garde / Electronic / Experimental / Classical / Sound Sculpture / Sound Art

If Ligeti or Stockhausen were computer nerds this might be what they'd make… astounding. In 1999, Stephen Vitiello was given a residency on the 91st floor of the World Trade Center (tower one). Gazing at the lights of New York City, he decided he wanted to translate sights into sound. To do so he simply used a photocell to record the luminosity of various points around him and through the windows. A computer assigned sound parameters to the collected data. This interesting process could have generated arid music if applied to the letter. Luckily, Vitiello had something else in mind. He treated the "Light Readings" (the title of three tracks on this CD) as sound sources.

Born in Chicago in 1949, Gil Scott-Heron became one of the inspirators of Rap Music. With very much of a political viewpoint, Gil became a mouthpiece for the Black Person in America during the Seventies and Eighties. Gil was the son of a Jamaican professional soccer player and a college graduate mother who worked as a librarian. His father played for the Scottish football side, Celtic. Both parents divorced whilst Gil was still a child and he was despatched off to his grandmother in Lincoln, Tennessee. His grandmother helped Gil musically, however, early racial tensions at school, in Jackson, led him to relocate again to the Bronx during his adolescent years to live with his mother and he later moved again to the Spanish neighbourhood of Chelsea.

At the age of 13, Gil had already written a book of poetry. Gil attended college in Pennsylvania and then left to concentrate on writing his first novel entitled 'The Vulture' in 1968. It was at college he met Brian Jackson, who was later to be a long time musical collaborator.
He released his debut album, 'New Black Poet: Small Talk at 125th and Lennox', in 1970, the title of which was influenced by a piece of poetry written by his mentor, Bob Thiele. The album contained the powerful 'The Revolution Will Not Be Televised', a damning political attack on the media and the treatment of Black People in the U.S.

The British Invasion was a phenomenon that occurred in the mid-1960s when rock and pop music acts from the United Kingdom,as well as other aspects of British culture, became popular in the United States, and significant to the rising "counterculture" on both sides of the Atlantic. Pop and rock groups such as The Beatles, The Dave Clark Five, The Kinks, The Rolling Stones, Herman's Hermits and The Whowere at the forefront of the invasion