Andris Nelsons, Kristine Opolais, and the Gewandhausorchester Leipzig form a Dvorák sound from the middle, singing the melodies that the composer concealed in all of the layers of his music with tender, warm, soft colors. Nelsons’ tempos remain calm and relaxed, allowing the omnipresent beauty of Dvorák’s music to unfold and flood the Gewandhaus. This is the first DVD and Blu-ray release of the Gewandhausorchester Leipzig under the baton of its new music director Andris Nelsons. Recorded at the Gewandhaus zu Leipzig, May 2017.
Solti in Chicago at his very best. The promising excitement in the first movement opens to a performance of drama and poetry… This is simply great conducting, great orchestral playing, captured in superbly recorded early digital engineering.
These accounts are quite magnificent, and their claims on the allegiance of collectors remain strong. Their freshness and vigour remind one of what it was like to hear these symphonies for the first time. The atmosphere is authentic in feeling and the sense of nature seems uncommonly acute. Kubelík has captured the enthusiasm of his players and generates a sense of excitement and poetry. The playing of the Berlin Philharmonic is marvellously eloquent and, as is often the case, a joy in itself. The woodwinds phrase with great poetic feeling and imagination, and all the departments of this great orchestra respond with sensitivity and virtuosity.
This CD is a must-have for everyone who wants to gain an awareness of Czech music, its most frequently performed and most frequently recorded compositions.
Two glorious Czech masterpieces are presented on this 2014 release from Alpha, performed on period instruments by the exceptional Anima Eterna Brugge, directed by Jos van Immerseel. Considering that Antonín Dvorák's Symphony No. 9 in E minor, "From the New World" was completed in 1893, and Leos Janácek's Sinfonietta dates from 1926, and the period instruments movement mostly has been concerned with Baroque and Classical era works, original instrumentation might strike some listeners as odd. Yet performances in the late 19th and early 20th centuries called for instruments that differ substantially in construction and tone quality from modern models, and the variety of timbres was much greater with handmade instruments than the homogenized sounds of today's mass-produced woodwinds and brass.
Warner Classics and Erato presents Nathalie Stutzmann's album debut conducting the Atlanta Symphony Orchestra & Chorus. Beginning her studies with legendary Finnish teacher Jorma Panula, Stutzmann was later mentored by renowned conductors, Sir Simon Rattle the late Seiji Ozawa. This recording includes Dvorak's 'From the New World', becoming ingrained in the American musical landscape and the lesser known 'American Suite' which although was written around the same time is the New World symphony, was only premiered 6 years after his death.