This 2013 deluxe reissue of Fairport Convention's 1975 album Rising for the Moon includes a second CD which features a live recording from the LA Troubadour the previous year (1974), where Sandy Denny rejoined Fairport. This album proved to be Denny's last when it was recorded back in '75…
…Perhaps that is the secret of Ladysmith Black Mambazo’s enduring appeal: they sing music that falls completely outside of contemporary style and fashion, that unlike the songs of many other African acts is almost completely devoid of overt political content, yet is so pure and uplifting that it speaks for itself and points the way to a better, safer, healthier and more integrated world where all forms of expression are possible. What more could you want from an album than that?
Tucked mischievously away at the back end of Uriah Heep’s 25th studio album, Falling Under Your Spell could well be the best song the British legends have written since the early 70s. Admittedly, it’s a dead spit for the immortal Easy Livin’, and that may be why the band opted to keep it as a belated treat, rather than placing it front and centre. But what a song it is, all propelled along by that unmistakable turbocharged shuffle, as Phil Lanzon’s rampaging, fiery keys fill up the foreground and the increasingly irresistible Bernie Shaw bellows his veteran head off…
Nobody's Perfect is a live album released in 1988 by the British rock band Deep Purple. It was recorded during the tour in support of The House of Blue Light in 1987 in Europe and the US. The outer sleeve photography was designed by Aubrey Powell of Hipgnosis. It also contains a new live in studio version of "Hush" to commemorate their 20th anniversary. "Black Night" was also re-recorded but never released. "Hard Lovin' Woman" includes parts of "Under the Gun" during Blackmore's guitar solo. "Strange Kind of Woman" includes the "Superstar" chorus from Jesus Christ Superstar.
Nobody's Perfect is a live album released in 1988 by the British rock band Deep Purple. It was recorded during the tour in support of The House of Blue Light in 1987 in Europe and the US. The outer sleeve photography was designed by Aubrey Powell of Hipgnosis. It also contains a new live in studio version of "Hush" to commemorate their 20th anniversary. "Black Night" was also re-recorded but never released. "Hard Lovin' Woman" includes parts of "Under the Gun" during Blackmore's guitar solo. "Strange Kind of Woman" includes the "Superstar" chorus from Jesus Christ Superstar.
Down in Louisiana, Marva Wright was called the Blues Queen. Fans of her energy-filled performances, both live and recorded, called her a lot of other things, too, like "Marvalous Marva." The "bluesiana" numbers she favored were a strong showcase for her dynamic, gospel-rooted voice. One listen would be enough to convince any newcomer of her strengths, which was surprising in light of the fact that the vocalist was a late bloomer who didn't turn professional until 1987, when she was creeping up on 40. Even then, she only began singing as a way to support her family with a second job. Bourbon Street in the Big Easy led to more than she had dreamed, ultimately landing her gigs in Europe and across the world, with stops in France, Italy, Germany, Belgium, Holland, Russia, Norway, Sweden, and Brazil. Her appearances in the U.S. included Chicago, Philadelphia, and New York, as well as Texas, California, Vermont, Colorado, and Florida.