This live project, which includes the talents of the always great Buddy Miller, is an interesting reflection of an American icon. Eclectic, it is reflective of Emmylou Harris' excursions into areas of music beyond the country and rock spheres she has already conquered. But it is the country arena that best showcases her ever-flowering ability with a song…
This is one of the most intriguing albums of Emmylou Harris' career, and that is saying a lot. It marked the first album where she wrote or co-wrote all the songs, and the strength of the songwriting makes one wonder why she had never attempted it before…
There's something just the slightest bit comic about calling an Emmylou Harris album Stumble into Grace. While Harris has always sounded as if both earthly and spiritual grace were created with her in mind, when she sings, it seems she can no more stumble than a dolphin can be taught to walk on dry land. Stumble into Grace finds Harris following in the same creative path she began to pursue with Wrecking Ball and Red Dirt Girl, which is to say that the influence of her country-influenced material is more felt than heard as she dips her toes into the spectral and atmospheric accents of folk, indie pop, and world music…
That Cimarron, Emmylou Harris' ninth regular album, was assembled largely from recording sessions held for her previous couple of records is no necessary reflection on its quality. In fact, Cimarron was a typical effort for Harris, presenting her usual mix of country favorites, songs borrowed from the pop/rock arena, and singer/songwriter discoveries…
It's difficult to write about Emmylou Harris without lapsing into a long train of superlatives – she really does have one of the most beautiful voices of her generation, and her taste in material and skill in using her instrument is nearly faultless. However, as good as Harris is and as consistently strong as her body of work has been, one could make a convincing argument that she's been frequently underrated through much of her career – more than just a lovely woman with a pure, clear voice and a fine ear, she's championed a number of gifted songwriters before they went on to have distinguished careers of their own (from Rodney Crowell to Gillian Welch), matured into a first-rate tunesmith herself, collaborated with a remarkable array of artists, and has never been afraid to take her talents into unexpected directions, from purist bluegrass to the experimental atmospherics of her work with Daniel Lanois.
Rhino Records asked producer Brian Ahern to select his favorite tracks from the Emmylou Harris albums he helmed – he produced her first 11 studio offerings for Reprise Records. That's quite a daunting task when you consider that some of those recordings were Elite Hotel, Luxury Liner, Quarter Moon in a Ten Cent Town, and Pieces of the Sky, just to name a few. But Ahern rose to the task and put together a solid, aesthetically perfect set here, highlighting many different aspects of Harris' career at the time: from her trademark, utterly pure singing voice, to her song selection, to the sound of her band and the studio she recorded in, this is a top-notch set from start to finish and serves as an excellent introduction to her early work for the newcomer…