Limited Edition 7CD box set featuring rare live performances of GP with the Byrds and Flying Burrito Brothers. Also features Gram's songs performed by Roger McGuinn, Gene Clark, Chris Hillman, Emmylou Harris, Linda Ronstadt, Jerry Garcia. Plus a disc of influences/original version…
Morphine leader Mark Sandman was the inventor of a sound called "low rock" — the distinctive blend of sonorous saxophone, bass and deep grooves that, along with Mark’s lyric poetry, propelled Morphine to fame. But Mark created much more than the brilliant music of Morphine. He was a tireless musical experimenter who wrote and recorded constantly throughout his life. Although Morphine and the seminal swamp-blues quartet Treat Her Right became well known and successful, much of his work was never commercially released and remains unheard — except by his large circle of friends, who he regularly commandeered to critique his latest, usually over a bottle of Patron.
Four-disc monument to the Killer, containing no filler… What with one thing and another, it took the Grand Ole Opry a while to invite Jerry Lee Lewis to make his debut. Sixteen years, in fact, from his first hits (“Whole Lotta Shakin’ Going On”, “Great Balls Of Fire” ) to finally ushering the Killer onto the stage of Nashville’s Ryman auditorium in January 1973. The high temple of the country music establishment had their reasons for hesitating. Lewis was not known for family-friendly behaviour, unless one counts as such already having three families by this point – one, to the detriment of his box office, with a cousin he’d wed when she was thirteen. But he’d grown up, surely. He was pushing 40. He’d married for a fourth time, to someone old enough to vote. And he was reinventing himself as a proper country singer – he’d had hits with versions of Kris Kristofferson’s “Me & Bobby McGee”, Jimmie Rodgers’ “Waiting For A Train” and Ray Griff’s “Who’s Gonna Play This Old Piano?”. The Opry prepared to formally welcome the black sheep to the fold.
When Guns N' Roses exploded from the Sunset Strip with lyrics like, "West Coast struttin', one bad mutha, got a rattlesnake suitcase under my arm," they were a vision of piss n' vinegar at a time when Steve Winwood was topping the charts. Apart from Axl Rose's mile-high coiffure, Appetite for Destruction was the opposite of everything going on in the mainstream: it sounded raw, nasty and dangerous. They were a fully formed statement, capped off with an exclamation point. And a little over a year after it came out, "Sweet Child O' Mine" would be the Number One song in the U.S.
Released at the peak of Hall & Oates' popularity in the early '80s, 1983's Rock 'n Soul, Pt. 1: Greatest Hits effectively chronicles the time when the duo could do no wrong – namely, the period between 1980's Voices and 1982's H2O, which includes only one other album, 1981's excellent Private Eyes…
B'n'T were formed in the early 80 's by Tim Eliott & John Bruce. Constant personnel changes were to eventually lead to a permanent line-up, which encouraged the band to turn professional & saw the release of their debut album in 1985.
This legendary Rolling Stones concert filmed during their Japanese tour (Tokyo February 1990) features outstanding performances of classic Stones tracks.
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock.