Eastern Fron

James D. Hicks - Nordic Journey, Vol. 8: Islands (2019)  Music

Posted by varrock at July 1, 2019
James D. Hicks - Nordic Journey, Vol. 8: Islands (2019)

James D. Hicks - Nordic Journey, Vol. 8: Islands (2019)
WEB FLAC (tracks+booklet) - 638 MB | Tracks: 32 | 156:35 min
Style: Classical | Label: Pro Organo

Dr. James D. Hicks lives and works out of Califon, New Jersey, USA, and holds degrees in music from the Peabody Institute of Music, Yale University and the University of Cincinnati. Other studies include instruction at the Royal School of Church Music in England. He is an Associate of the American Guild of Organists. Hicks held liturgical positions throughout the eastern United States, and in 2011 retired after 26 years of service at The Presbyterian Church in Morristown, New Jersey. James has recorded eight collections of organ music on the Pro Organo label. This is the third release in his Nordic Journey project, which seeks to create new repertoire from Nordic lands (thirty commissioned works thus far), rediscover unpublished and/or forgotten works from the twentieth century, and, finally, include a few of the standard masterworks. Many of the selections that appear in his Nordic Journeys series do so in premiere recordings.

Joe Farrell - Outback (1971) {CTI/King Record Japan}  Music

Posted by tiburon at March 2, 2021
Joe Farrell - Outback (1971) {CTI/King Record Japan}

Joe Farrell - Outback (1971) {CTI/King Record Japan}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 212MB + 5% Recovery
MP3 CBR 320 Kbps | 85MB + 5% Recovery
Genre: Jazz, Fusion

Outback is the second and finest of Joe Farrell's dates for Creed Taylor's CTI label. Recorded in a quartet setting in 1970, with Elvin Jones, Chick Corea, and Brazilian percussionist Airto Moreira, Farrell pushes the envelope not only of his own previous jazz conceptualism, but CTI's envelope, as well. Outback is not a commercially oriented funk or fusion date, but an adventurous, spacy, tightrope-walking exercise between open-ended composition and improvisation. That said, there is plenty of soul in the playing. Four compositions, all arranged by Farrell, make up the album. The mysterious title track by John Scott opens the set. Staged in a series of minor-key signatures, Farrell primarily uses winds – flutes and piccolos – to weave a spellbinding series of ascending melodies over the extended, contrasting chord voicings by Corea.